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...developed his wry, sweet and irrepressibly meshuggeneh visions in the two great forcing houses of modernism between 1900 and 1925: Paris and Russia. As a student in St. Petersburg up to 1910, he came under the wing of Diaghilev's designer Leon Bakst; an enlightened Jewish patron, Max Vinaver, sent him to Paris that year. He took a studio in a rickety building near the slaughteryards and found that his neighbors were Soutine, Leger and Modigliani. Back in Russia by 1914, Chagall waited out World War I (and was plunged into the Revolution) in the company of Tatlin, Malevich...

Author: /time Magazine | Title: Art: Fiddler on the Roof of Modernism: Marc Chagall: 1887-1985 | 4/8/1988 | See Source »

Born in 1872 into the minor aristocracy of tsarist Russia, Diaghilev hungered for artistic recognition. He studied composition with Rimsky-Korsakov, but he had no musical talent. Soon, after, he joined the art circle of Alexandre Benois and Leon Bakst. Here, too, his gift was for organization and promotion. With Diaghilev as editor, the group published the World of Art, an influential journal that celebrated Baudelaire, Balzac and the pre-Raphaelites...

Author: /time Magazine | Title: Books: The Genghis Khan of Ballet | 9/10/1979 | See Source »

...exotica. His company, to the frenzied rhythms of the Polovtsian dances from Borodin's Prince Igor, swept Paris like a Mongol invasion. Next came Scheherazade, with its orgy of writhing dancers, the extraordinary half human, half feline Golden Slave portrayed by Nijinsky, and the unexpected colors of Bakst. That was succeeded by the most famous opening-night brawl in history, when a glittering crowd booed Stravinsky's The Rite of Spring. Nijinsky, who choreographed the Rite, was forced to stand on a chair backstage and shout instructions above the din. La Belle Epoque was over...

Author: /time Magazine | Title: Books: The Genghis Khan of Ballet | 9/10/1979 | See Source »

...whole Nazi cult is politically impotent and dwindling in numbers, its potential for stirring hatred and creating violence remains high. "It does not take mass movements to cause trouble in terms of violence," warns Jerome Bakst, research director of the Anti-Defamation League. A handful of Chicago's self-proclaimed Nazis, who number only about 25, proved as much last June when they ignited a rock-throwing, club-wielding melee over the movement of blacks into a white community near Marquette Park. Last week a demented Nazi cultist proved again that even a single such hater can trigger tragedy...

Author: /time Magazine | Title: The Nation: Neo-Nazi Groups: Artifacts of Hate | 2/28/1977 | See Source »

...cast of Daniel is more uneven, but again one singer stands out. His name is Lawrence Bakst, and he possesses one of the most attractive and effortless tenor voices around. It would be good to hear him more often in the Cambridge area. The other lead singers were generally effective, with Chalyce Brown an especially striking Queen. The chorus also sang well, but their acting was only to varying degrees appropriate. The entrance of the Queen's seven attendants, all smiling like airline stewardesses, was more appropriate to a Miss America pageant than a medieval pageant-opera...

Author: By Ralph Locke, | Title: Music The Play of Daniel and Curlew River | 4/30/1970 | See Source »

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