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...danger of James Fenimore Cooper's works as cinema material is that, without his sombre prose (admired by Maxim Gorki and imitated by Joseph Conrad) they generally boil down into an antique kind of penny-dreadful. Scenarists Philip Dunne, John Balderston, Paul Perez, and Daniel Moore worked in shifts for more than a year to keep this from happening to The Lasf of the Mohicans. Net result is an intelligent and exciting version of a story, which, properly loaded with physical action, keeps the imprint of literature...

Author: /time Magazine | Title: Cinema: The Last of the Mohicans | 9/7/1936 | See Source »

With a vitality that makes their efforts fully the equal of the original picture Writers William Hurlbut and John L. Balderston lift their monster (Boris Karloff) out of the water-filled cellar of the mill and send him out to terrify the countryside, break out of a dungeon, and make friends with a blind hermit who teaches him to smoke cigars and speak. Meanwhile one Dr. Pretorius (Ernest Thesiger), as convincingly lunatic a scientist as ever reached the screen, shows Baron Henry Frankenstein, the monster's creator, the Tom-Thumb King, Queen, Archbishop and Satan he has cultured from...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 29, 1935 | 4/29/1935 | See Source »

...story, told as a cutback from the recital of Mary Shelley herself, who tells it to her husband (Douglas Walton) and Lord Byron (Gavin Gordon), has none of the hangdog air that one expects in sequels. Screenwriters Hurlbut & Balderston and Director James Whale have given it the macabre intensity proper to all good horror pieces, but have substituted a queer kind of mechanistic pathos for the sheer evil that was Frankenstein. Henry VIII had enough wives to make four screen stars. Elsa Lanchester is the latest to gain stellar fame in Hollywood, having had the way paved...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 29, 1935 | 4/29/1935 | See Source »

...ending concocted for Universal by four scenarists including John L. Balderston (Berkeley Square) is somewhat obvious, the picture is nevertheless thoroughly entertaining, full of Mid-Victorian atmosphere, good acting, and Dickensian makeup. (The cast used 2,200 lb. of grease paint and false hair.) Startling shot: Jasper and Durdles being stoned by an urchin named Deputy who squeals: Winnie-winnie...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 11, 1935 | 2/11/1935 | See Source »

...Lloyd's insured famed Playwright John Lloyd Balderston (Berkeley Square, Dracula for $10 per $1,000, he must have impressed some individual underwriter that he was an excellent risk. U. S. rates are based on the combined experiences of many underwriters. Thus, U. S. rates for student pilots are almost uniformly near $35; for experienced non-commercial pilots. $16 to $20. Those rates take into consideration all possible combinations of risks. Lloyd's rates, on the other hand, vary with the judgment of the particular underwriter who takes the case, but are rarely...

Author: /time Magazine | Title: Letters, Oct. 29, 1934 | 10/29/1934 | See Source »

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