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Word: balding (lookup in dictionary) (lookup stats)
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...want to look in my locker room and see bald old men, guys who have been through it-winners." That was the demand made by George Allen when he took over as coach of the Washington Redskins last year. After 19 trades involving 33 players, Allen got what he wanted: the oldest* and most experienced team in the National Football League-plus one. For all his attention to aging veterans, Allen wisely held on to Running Back Larry Brown, a Redskin holdover who in size (5 ft. 11 in., 195 Ibs.) and years (25) is a comparative toddler. The combination...

Author: /time Magazine | Title: Sport: A Child Shall Lead Them | 11/27/1972 | See Source »

Krislov was an enormously fat man with strands of dark, wet hair plastered back across his head to protect the bald spots. He spoke in a soft, high-pitched voice...

Author: By J. R. Eggert, | Title: Hoffa: From Teamster Boss to New Crusader | 11/1/1972 | See Source »

...BALD SOPRANO got its title when a rehearsing actor missed his lines before the opening performance and delivered something about a bald soprano. Eugene Ionesco liked the term enough to keep it as the play's name, and it's as good a label...

Author: By Dwight Cramer, | Title: Murdering the Middle Class | 10/17/1972 | See Source »

...Bald Soprano takes two very English couples--English past the point of stereotyping--through an evening together. It begins as Mr. and Mrs. Smith sit, apparently after dinner, while he reads the Times and she darns his socks. Then it appears that dinner guests are coming, and when the Martins arrive they try to establish to each other's satisfaction that they are married. Nothing really happens, and doubt is immediately cast upon any detail that threatens to become so concrete as to endanger the pervading air of unreality in the evening. The four people spend the rest of their...

Author: By Dwight Cramer, | Title: Murdering the Middle Class | 10/17/1972 | See Source »

Ionesco's Soprano is a small play that benefits from a small theatre; its intensely malicious approach would lose all its humor if played in a bigger setting, and Davis's production took advantage of the intimacy of the Ex. Like too many contemporary comedies-of-manners. The Bald Soprano, lacking any remarkable feats of inspiration appended by the director, would probably seem a little empty on any larger stage...

Author: By Dwight Cramer, | Title: Murdering the Middle Class | 10/17/1972 | See Source »

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