Word: baldwinism
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Want to share in the sweaty embraces of Alec Baldwin and Jessica Lange? They are entwined in A Streetcar Named Desire. Prefer the wry wit of Alan Alda or the in-your-face comic angst of Judd Hirsch? They play beleaguered husbands and failed fathers in splendid new tragicomedies from Neil Simon and Herb Gardner. If your taste runs to grandes dames, Rosemary Harris enacts the mean matriarch in Simon's previous play, Lost in Yonkers, while Lynn Redgrave evokes the aggrieved wife of a self-anointed genius in Ibsen's The Master Builder...
...revered by African Americans ranging from Supreme Court Justice Clarence Thomas to the members of the raging rap group Public Enemy. Making a movie to satisfy all these constituencies would seem an impossible task. At various times since producer Marvin Worth sewed up the rights in 1968, novelists James Baldwin and David Bradley and playwrights David Mamet and Charles Fuller tried their hand at writing a screenplay. Actors Billy Dee Williams and Richard Pryor expressed interest in playing Malcolm, and Sidney Lumet and Norman Jewison considered directing. But nobody wanted to do the film more than...
...protest campaign, arguing in the press that only a black director could do the right thing with Malcolm's story and pestering Worth with countless phone calls, insisting, "I'm the guy, I'm the guy." Worth finally relented, and Jewison bowed out. Warner Bros. agreed to finance the Baldwin script, as rewritten and directed by Lee, starring Academy Award-winner Denzel Washington. "I think they felt it would be more of an event with Spike," Worth says...
...later, however, that we realized that the real reason why we couldn't give them a better answer was not because we thought they could not be sexy, but because we had no concrete idea--beyond "William Baldwin," "Richard Gere" and "Keanu Reeves"--of what sexy for men is. We women have Victoria's Secret, Cosmo, Elle. In fact, there's no way we could name all the ways women are shown how to be sexy. Men, on the other hand, have very few societal clues. The Chippendales, we would argue...
...youth, Gates first contact with Baldwin's works left him with an impression that Black and white culture could not be separated...