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Word: balladeers (lookup in dictionary) (lookup stats)
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Like the disciplined, daredevil corps of '60s prose and ballad, the Special Forces, or Green Beret, teams slipped quietly into the countryside miles from their base. Soon the Berets, many of them veterans of countless similar operations in Montagnard villages in the mountains of South Viet Nam, were moving among the natives, ministering to the sick, refurbishing schools, teaching preventive hygiene and first aid. In many ways it was a textbook exercise, except that the locale was not Viet Nam but two poverty-stricken counties in rural North Carolina...

Author: /time Magazine | Title: ARMED FORCES: Nation-Mending at Home | 6/21/1971 | See Source »

...ballet parody between a tutu-ed, gum-chewing thief and a pointey-tailed, devil's-horned Jonathan Wild works well. An improvised illustrated lecture on the famous escape of Jack Sheppard from Newgate, given by Jack himself, is brilliant. The gyrating, record-dispensing rock star who sings a "ballad" about Jack is painful, and stands as an excellent example of the limits of such a patchwork approach to comedy...

Author: By Kenneth G. Bartels, | Title: Giggles Anything You Say Will Be Twisted | 5/12/1971 | See Source »

...Sway," the second cut, sounds like a slowed down "Stray Cat Blues" and it is not particularly impressive or memorable. It is followed, however, by "Wild Horse," a beautiful ballad that is the one real standout in a uniformly fine album. The Flying Burrito Brothers did a good version of this song last year, but the Jagger-Richard vocal is unbeatable. This is clearly one of the two or three best ballads the Stones have recorded...

Author: By Andy Klein, | Title: Vinyl Sticky Fingers Don't Smash States | 5/12/1971 | See Source »

...record closes with another excellent ballad, "Moonlight Mile." I just don't know what to make of this song, although I love it. It's a bizarre cut, with words that are inaudible and music that sounds like the theme from Sayonara...

Author: By Andy Klein, | Title: Vinyl Sticky Fingers Don't Smash States | 5/12/1971 | See Source »

...very exciting, the other increasingly depressing. From The Zoo Story through The American Dream to Who's Afraid of Virginia Woolf?, he displayed great gusto, waspish humor and feral power. In the succeeding nine years, he has foundered in murky metaphysics (Tiny Alice), dabbled in adaptations (The Ballad of the Sad Cafe) and gone down experimental blind alleys (Box-Mao-Box). Instead of lunging for the jugular, as he once did, Albee has cultivated a Jamesian languor in his prose, a fastidious dandyism of manner, a dusty, librarefied reserve. Portentousness of delivery is used to mask vacuity of thought...

Author: /time Magazine | Title: The Theater: Club Bore | 4/5/1971 | See Source »

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