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Word: ballades (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Ballad of a Soldier (Mosfilm; Kingsley-Frankel). A Russian soldier scuttles like a desperate bug across an open field. Like a big grey toad, a German tank relentlessly pursues him. Bullets frisk about his heels. He dodges, drops his gun, falls, runs on, gasps, reels with exhaustion. The screen reels, tilts crazily, tilts further . . . Suddenly the image is upside down, the world is upside down. Yet still across a sky of mud the soldier flees, and still the tank pursues...

Author: /time Magazine | Title: Cinema: New Wave in Russia? | 1/13/1961 | See Source »

...Have to Stay, concerning a pair of lovers squabbling on the phone over an anonymous third party ("Should I hang up/ Or will you tell him/ He'll have to go?"). Before he had even gone, RCA Victor was out with Tell Laura I Love Her, a ballad gurgled out to his beloved by a dying stock-car racer. Laura herself (Songstress Marilyn Michaels) provided the inevitable followup: Tell Tommy I Miss Him. Dazzled at the prospects, the record companies have issued Save the Last Dance for Me and I'll Save the Last Dance for You; Please...

Author: /time Magazine | Title: Music: Same to You, Mac | 1/6/1961 | See Source »

...Virgin Spring (in Swedish). Ingmar Bergman's mythical and violently beautiful miracle play, derived from a medieval ballad about a farm girl's rape-murder and her father's vengeance, is as clear and grave as a Mass...

Author: /time Magazine | Title: CINEMA: Time Listings, Dec. 19, 1960 | 12/19/1960 | See Source »

Virgin Spring (in Swedish). Ingmar Bergman's mythical and violently beautiful miracle play, derived from a medieval ballad about a farm girl's rape-murder and her father's vengeance, is as clear and grave as a Mass...

Author: /time Magazine | Title: CINEMA: Time Listings, Dec. 12, 1960 | 12/12/1960 | See Source »

Simonov then began to describe a film which he felt had been better done, Ballad of a Soldier. As he retold the plot, his hands, which are nearly always active, became powerfully expressive. He would push his fist forward with a twisting motion, suddenly pull a chunk of space toward himself with both hands; sometimes, when he was looking for a word, he would feel the air with his fingers in a "je ne sais quoi" gesture. Then he would explain, "I can't say it. I can just express it like this, with my fingers...

Author: By Michael D. Blechman, | Title: Konstantine Simonov | 12/8/1960 | See Source »

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