Word: balladic
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Dates: during 1990-1999
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...first single, "I Knew I Loved You," is a good ballad and shows off Hayes' falsetto nicely, but it's only a mild reflection of how poetic the rest of the album is. Affirmation deals not only with romance, but also with the real-life consequences of love and the pain that follows it. As their titles indicate, "I Don't Know You Anymore" and "The Lover After Me" aspire to this more reality-based love song, even though the soft beats and harmony make the melody very pretty. But it's "Two Beds and a Coffee Machine" that truly...
...Paradise would prove. It opened with a set by the soft-spoken British act Departure Lounge. Though the dark venue at first seemed to swallow the seated four-piece, they soon set an intimate mood with their introspective lyrics and friendly conversations between songs. The singer remarked after one ballad that "someone once told me that was the best song ever written about telephone break-ups." "Didn't you write that song about a long distance relationship?" asked the drummer. "Yeah, but I took it as a compliment anyway," came the sheepish reply...
Gorky's sound will feel familiar to those versed in the acoustic folk-inspired pop ballads of the late '60s and early '70s, with only a slight instrumental and tonal twist betraying the band's Welsh origin. A few of the band's songs have a classical folk ballad for flavor, while others exploit dissonance or vaguely new-age rhythms to add variety to what otherwise could be a monotonously mellow album...
Four years ago, the Kenny Wayne Shepherd Band would sound fresh, intelligent and original. Now, however, the band sounds like it steals from the talents of musicians such as Tom Petty. Live On, their new album, seems to be trying for a folk-rock-ballad like quality, with an overuse of the harmonica-lead guitar combination. In most instances, this tactic fails. "Was," "Oh Well" and "Losing Kind" have the sound of recycled Bon Jovi B-sides. The lead guitar spurs the song's movement with redundant and basic chords, while the bassline is a simple mirror of the lead...
...song recalls favorites such as Purple's "Vasoline" and "Pretty Penny", with the framing of Weiland's somber vocals around Dean Deleo's masterful lead guitar. The album, after "Church on Tuesday," becomes the record that a well-versed STP was waiting for. "Sour Girl" is another almost-ballad, revealing the band's ability to mix pop melodies with a dark and gloomy bass line. The band is still capable of experimentation, especially on the track "No Way Out," but one wishes that STP had been riskier with distortion and electrical manipulation on No. 4. Weiland clearly has the ability...