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Word: ballads (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...bill to designate the Missouri Waltz an official state song was killed by the Missouri senate after opponents had described it as a "low-rate, second-class barroom ballad...

Author: /time Magazine | Title: MANNERS & MORALS: Americana, Jun. 20, 1949 | 6/20/1949 | See Source »

Programs are exchanged with WHRV through an open "telephone-line." At present Radio Radcliffe sends three music listening hours to the Network in return for special broadcasts, half-hour shows, and Charles O'Brien's "Ballad Corner." As the most recent angle the two stations are even exchanging announcers: Nancy Buhrer '49 does the Network's Monday night "Comin' On" program, and William Clark '49 takes over Radio Radcliffe's Thursday night "Swing Out" (popular music) show...

Author: By Georgianne Davis, | Title: Radio Radcliffe Staff Keeps' Nightly Broadcasting Vigil | 3/17/1949 | See Source »

...that Hungarian popular music has become "decadent," lacking in the "dynamic rhythm of the new democracy." They express a maudlin desire to return to the "good old days." As an example of the kind of song that was out of tune with Marx ism, the council cited the following ballad...

Author: /time Magazine | Title: ESTHETICS: Between Tears & Laughter | 3/14/1949 | See Source »

Beer & Beef. Thirteen years ago, burly Frankie Laine was singing for beer and beef at the Stamford (Conn.) German Club; for half a dozen years before, he had been an unnoticed mediocrity on the soggy-ballad circuit around Chicago nightclubs. He had given up singing for selling cars, songwriting (It Only Happens Once) and, during the war, defense work. But, says Frankie, the son of a Chicago barber, "I couldn't stay away from it long . . . I hadda get up in front and sing." In 1946, he made only $2,000 at it. Then things began to happen...

Author: /time Magazine | Title: Music: Feels Good That Way | 2/14/1949 | See Source »

From Broadway to Padua. Porter's music is just as distinctively his. Many of his songs, like Night and Day, favor a long melodic line that breaks out of the traditional four-measure bounds of the popular ballad. He can write gaily, in complicated rhythms (as in Anything Goes). He can match a pointedly off-color lyric with an insinuating tune (as in My Heart Belongs to Daddy). But the true Porter hallmark is cut in the bittersweet lament of What Is This Thing Called Love? and in the sultry, Latin fervor of Begin the Beguine...

Author: /time Magazine | Title: The Theater: The Professional Amateur | 1/31/1949 | See Source »

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