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Word: ballads (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...problem listeners might find with Brave and Crazy is that many of the songs sound alike, and virtually all have similar lyrics. Typical is "No Souvenirs," the first cut of the album that allows Etheridge's voice to range from melodic ballad to a bluesy rap: like most of the rest of the album, however, it follows a standard pattern of alternating a slow, mournful verse with a fast, angry refrain...

Author: By David A. Plotz, | Title: Love's Labor Won | 10/6/1989 | See Source »

...parade had begun. When his wife Dorothy Goetz died in 1912, Berlin poured out his grief in his first real ballad, When I Lost You. The Ziegfeld Follies of 1919 brought forth A Pretty Girl Is Like a Melody; 1924 saw both the tenderly brooding What'll I Do? and the valse triste All Alone. His courtship of heiress Ellin Mackay, granddaughter of an owner of the Comstock Lode, was breathlessly followed in the press, and their secret marriage in 1926, over her father's vigorous objections, made headlines. It also made standards like Always...

Author: /time Magazine | Title: Music: America's Master Songwriter :Irving Berlin: 1888-1989 | 10/2/1989 | See Source »

MANDY PATINKIN IN CONCERT: DRESS CASUAL. The edgy, high-energy star of stage (Evita) and film (Yentl) thrills Broadway with a brilliantly idiosyncratic styling of ballad and show tunes...

Author: /time Magazine | Title: Critics' Choice: Aug. 14, 1989 | 8/14/1989 | See Source »

...Sentimental Thing" is a lovely ballad, in which Jackson wisely plays with lyrical lines of unequal lengths and correspondingly non-correspondent meters. The instrumental bridge is a string quartet; the coda is also counched in lush strings, with Askew contributing a haunting, wordless "Madame Butterfly" type aria. This segues into an instrumental, "Acropolis Now," which begins promisingly as a hybrid between '80s rock and Greek folk guitar, but it begins to maunder soon after and degenerates into a fairly close approximation of a jam session by a forgotten, early '70s band. The side closes with the title track, which reverses...

Author: By Glenn Slater, | Title: Great Balls of Fire | 4/28/1989 | See Source »

Side Two opens with "Rant and Rave," a tempo-shifter with fun horn charts and fascinating rhythms; this is followed by "Nineteen Forever," another anthemic track in the "Blaze of Glory" mode and about as interesting. "The Best I Can Do" is a ballad that suffers by comparison with its Side 1 counterpart, largely because it's melody becomes monotonous after the requisite three or four repetitions...

Author: By Glenn Slater, | Title: Great Balls of Fire | 4/28/1989 | See Source »

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