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...course, what consumer-oriented American benefit LP would be complete without an overblown, melodramatic ballad. The idea of Whitney Houston singing "Do You Hear What I Hear" is initially promising, a pure pop voice made to sing simple ballads. This production is more like "We Are the World: The Sequel," with choir-like backup vocals and a very similar melody. There's the same slow beginning and spare verses building to an overpowering climax of Whitney, backup singers, and treacly violins all at once...

Author: By Jeffrey P. Meier, | Title: $ea$on'$ Bleating$ | 12/4/1987 | See Source »

...Fault. Several characters die brutally in the grasp of the giantess or at the hands of panicky fellow citizens. Yet what comes out of this chaos is not the jollity of happy endings but a deeper reassurance, born of tolerance and community and shared sacrifice, articulated in the haunting ballad No One Is Alone -- a song as tuneful and touching as Sondheim's Send in the Clowns, but deeper and richer in meaning...

Author: /time Magazine | Title: Theater: Some Enchanted Evening INTO THE WOODS | 11/16/1987 | See Source »

Shohei Imamura, director of "The Ballad of Narayama" and other award-winning films, arrived at Harvard on Tuesday for a 15-day visit under the auspices of the film institute, in cooperation with the Japan Foundation of New York and Harvard's Reischauer Institute of Japanese studies...

Author: By Ross G. Forman, | Title: Harvard Hosts Filmmaker As Imamura Festival Begins | 11/6/1987 | See Source »

Considered one of Japan's best filmmakers, Imamura is chiefly known for "The Ballad of Narayama," which won the Palme d'Or award in 1983 and has since become a classic of contemporary cinema. The visit is intended to give scholars and film buffs a chance to become acquainted with both the films and their maker, said Petric...

Author: By Ross G. Forman, | Title: Harvard Hosts Filmmaker As Imamura Festival Begins | 11/6/1987 | See Source »

...HARVARD rehearsal centered around two of Bloom's pieces--"Two-Five-One" and "an abstract ballad" called "Desert". And Bloom took the session as seriously as her charges. She knew exactly how loud the triple forte should be, exactly how to dovetail each section with the next...

Author: By Abigail M. Mcganney, | Title: Bloomsday at Harvard | 10/23/1987 | See Source »

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