Word: ballads
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Radical Fringe. Miller certainly provides plenty of conflict. In a typical hour of programming, he devotes 30 minutes to standard middle-of-the-road pop music: a Frank Sinatra ballad, a Lawrence Welk instrumental and, again and again, Andy Williams singing Battle Hymn of the Republic. Sixteen minutes is given over to smoothly delivered commercials, five minutes to news, and nine minutes to "commentaries on our times." Samples: - On law and order: "I don't agree there's a civil war in this country between blacks and whites. I think there's a great civil war between...
...that youth finds it easier to grapple with the social commentary found in Simon & Garfunkel's "Mrs. Robinson" or in the political-protest songs of Bob Dylan than with the more complicated work of poets like Berryman. Or it may be that the poem as ballad is simply coming back into its own. In any case, the music world is experimenting with a revolutionary surrealism, and contemporary songwriters and poets are apparently enriching one another's work. Many folk-rock lyrics stand up as poems, and some poets-Michael Benedikt and Canada's Leonard Cohen among them...
Political Activist. Not quite. There is still a lot of Peterson to be heard when Craig's fingers embellish a tender ballad with filigree tinsel. But there is a lot of Mozart in early Beethoven too, and nobody complains much about that. As a pianist, Craig lacks only the maturity that age will bring. And nobody in the music world doubts his ability to get exactly what he wants...
JERRY JEFF WALKER: MR. BOJANGLES (ATCO). A zestful romp of a first album by a 27-year-old graduate of the rock group Circus Maximus. The boundaries of Walker's country style are broad enough to take in rock, ballads and the blues. The Ballad of the Hulk, though a little long and repetitive, is an object lesson in how to protest without falling into a dreary drone. His targets include the Vatican, divorce and the draft ("I have but one country to give for my life"). The spirit is so infectious that even squares may applaud the lines...
Angela Lansbury, a doll who refuses to be anything but living, plays the Madwoman as if the character existed in the script and score. She nearly makes it in the first act, and in the second, she takes flight (with some help from a Herman ballad, the only song in the show that works). Frocked in costumes that look like mountains of lace and sporting a crazy carrot-colored wig, Miss Lansbury still cannot help but be beautiful. Despite the unhappy things she has to do in Dear World, you have to love...