Search Details

Word: balle (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...three putts. The hole, he said, "looked two miles away." Among the 12,000 onlopkers was South Africa's Gary Player, Floyd's playing partner and closest competitor, ready to take advantage of any slip. Floyd did not clutch. He calmly arranged his pudgy form over the ball and stroked it into the cup for a birdie. Admiringly, Player walked toward him and extended a congratulatory hand. The gesture was Player's tacit admission that, two holes away from the finish, Floyd had as much as won the 1969 Professional Golfers' Association title...

Author: /time Magazine | Title: Golf: The Confidence Man | 8/29/1969 | See Source »

...Angeles, he gravely announced: "I deeply regret having to retire, but as they say, there are some things that are inevitable -like death, taxes and retirement from professional sports. The elasticity is gone from my arm, and I haven't been able to throw a good fast ball all year. I couldn't stand to be a four-inning pitcher, and that's just about all I'm good for now." Appearing with Drysdale, Manager Walt Alston wept unashamedly. "I'm sure I owe as much to Drysdale," he said, "as I owe any individual...

Author: /time Magazine | Title: Baseball: The Departure of Big D | 8/22/1969 | See Source »

Greasy Kid Stuff. Drysdale's reputation was built on more than statistics. His penchant for throwing "dusters" prompted Atlanta Braves Slugger Hank Aaron to label him a "mean" pitcher, and San Francisco Manager Herman Franks hinted last year that Drysdale had more on the ball than honest sweat. That led to Drysdale's "greasy kid stuff" commercial,* which still regularly appears on television. His boyish visage and brash charm also won him spots on The Rifleman and the Donna Reed Show, and he once sang with Milton Berle in a Las Vegas nightclub. He also owns a rich...

Author: /time Magazine | Title: Baseball: The Departure of Big D | 8/22/1969 | See Source »

...part of Justine is devoted mostly to atmospherics, establishing the characters and their relationships with one another and the city of Alexandria. Director George Cukor had a good old-fashioned time sweeping his camera over studio-made streets and palaces, working himself up to a murder at a masked ball. After that, he and Screenwriter Marcus apparently decided that it was time to get down to business and in a barrage of exposition hurled the film into complete chaos...

Author: /time Magazine | Title: Cinema: Ersatz Alexandria | 8/15/1969 | See Source »

...been a pampered and powerful member of the Establishment he chose to fight against; he cheerfully endured exile and long imprisonment but showed none of the pride, power mania or personal deviousness that disfigure the image of so many revolutionaries. As a child, he had slept during a court ball in the future Czarina's semi-sacred lap, and he died (at 78) safe, as it were, in the bosom of Stalin, only a troika's drive from the Kremlin. His life had come full circle, and so had the movement that began as a fight for freedom...

Author: /time Magazine | Title: Books: The Prince of Anarchists | 8/15/1969 | See Source »

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