Search Details

Word: balled (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...punt off a low snap erased all the Bruins' good fortune. With possession at the Brown 47, the Green Machine gave Dufresne the ball on third-and-one, and the halfback blasted into the endzone...

Author: By Mark D. Director, | Title: Dartmouth Drops Brown From First With 31-21 Upset | 11/13/1978 | See Source »

Then teammate Bob Krystnik raced to the scene, grabbed the ball while the stunned Princeton safetyman watched, and galloped 30 yards into the endzone for the game's big score...

Author: By Mark D. Director, | Title: Dartmouth Drops Brown From First With 31-21 Upset | 11/13/1978 | See Source »

Fourth Quarter: Harvard's offense never got the ball in Penn territory while the Harvard defense stopped Penn drives of 5, 9 and 17 plays, two on fourth-down attempts, the third on second-and-goal as time ran out. TEAM STATISTICS Hvd. Penn First Downs 10 25 Rushing: Att.-Yds. 38-151 78-319 Passing Yds. 96 73 Plays 55 92 Total offense 235 392 Fumbles-Lost 1-1 2-1 Penalties-Yds. 3-21 5-60 Punts...

Author: NO WRITER ATTRIBUTED | Title: STATS | 11/13/1978 | See Source »

...actual dancing is largely incidental to both story and spectacle. Like the ballet interludes in a 19th-century opera, dance merely embroiders diverting decorations. Dancers dance only when one would expect the characters to do so--Cinderella daydreaming with her broomstick, or the guests waltzing at the royal ball--and the content of the movement is a trite and anonymous classical pattern. Cunningham's choreographic vocabulary is limited, ignoring both the music (a beguiling Prokofiev score) and any place of space outside the lateral extension of center stage...

Author: By Jurretta J. Heckscher, | Title: The Classic and the Comic | 11/13/1978 | See Source »

...climactic love scene at the ball is a case in point. It doggedly explores the mechanical possibilities of lift-and-stretch, put-down-and-release, back and forth. It is a rationally conceived design rather than an organic development informed by dramatic feeling. Laura Young's eloquent face is an incongruity here; her body's range of emotion is simplified to a perfunctory embrace or two, and authentic feeling is wasted in this brash cartoon anyway...

Author: By Jurretta J. Heckscher, | Title: The Classic and the Comic | 11/13/1978 | See Source »

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