Word: ballerina
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Dates: during 1950-1959
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Arriving in Manhattan to dance the title role in NBC-TV's go-minute spectacular, Cinderella, Dame Margot Fonteyn, prima ballerina of the Royal Ballet (formerly Sadler's Wells), announced that on TV "you have to keep your mind skinned" because TV cameras are all over (and a stage audience is just out front). Though Dancer Fonteyn likes to perform on TV, she does not like to look at it: "Wastes too much time. It's paralyzing...
...varieties of roses in all floral colors except blue, breathlessly described them in the rosiest of prose. Among the new roses to dream over were Aida ("displays the same majestic grandeur and dark beauty as its namesake"), Golden Fleece ("performs with all the grace and beauty of a flirting ballerina") and Spartan ("no race of men ever existed as strong and vigorous as the Spartans...
...London's Covent Garden last week, the curtain opened on an intriguing pair of firsts: the first all-British full-length ballet, for which Benjamin Britten had composed his first ballet score. It was written especially for Ballerina Svetlana Beriosova, rising young (23) star of the Sadler's Wells Ballet...
...sense, the casting of Ballerina Beriosova as the female lead was more interesting than either plot or music, for it was further indication that she is the heiress presumptive to Margot Fonteyn as the company's prima ballerina. Born in Lithuania, Svetlana trained in New York and Paris, joined Sadler's Wells in 1950. With the retirement of Dancer Violetta Elvin (to marry for the third time), Beriosova stepped into more and more of Fonteyn's roles. More enthusiastically than ever, the critics applauded her lithe, leggy build, her cool, fluid movements, which are reminiscent...
...Famed Contralto Marian Anderson broke the singers' color barrier two years ago in the role of the Negro Ulrica in Verdi's Un Ballo in Maschera. Three weeks later, Baritone Robert McFerrin made his Met debut as Amonasro in Aïda. Ballerina Janet Collins was the first Negro ever to be featured at the Met (in 1951), also...