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Died. Vaughn Monroe, 61, singer-bandleader whose off-key, nasal baritone made million-selling recordings of Racing with the Moon, Ballerina and There! I've Said It Again; after stomach surgery; in Stuart, Fla. A onetime trumpeter in East Coast society bands, Monroe formed his own group in 1940 and during the next decade combined a regular radio show (Camel Caravan) with as many as 200 one-night stands a year. Though his voice was dubbed the "Million-Dollar Monotone" by critics, the debonair showman remained a starring attraction until the '50s when, with the advent of rock...

Author: /time Magazine | Title: Milestones, Jun. 4, 1973 | 6/4/1973 | See Source »

Graham's art starts on the ground. Deploring the ballerina's tiptoe point as artificial, she flexed her foot. It was a deceptively simple innovation; yet, it irrevocably changed the technique of modern dance. She also concentrated many movements on the pelvis, and the results were frankly sexual. "You have to take life as it surges through you." she shrugs, "and sex is part...

Author: /time Magazine | Title: Dance: Rebirth of an Artist | 5/14/1973 | See Source »

...been a highly photogenic figure during his career, both onstage and off: from the filmed ballet, Romco and Juliet, to the television tape of The Sleeping Beauty ballet; from his early exploits in Haight-Ashbury, to tales of his explosive temperament--most recently one about his slapping a clumsy ballerina in the face during a performance. Rudolf Nureyev: I Am a Dancer, is the most comprehensive footage on the man and his work to date, but the film offers little insight into its subject's flamboyant personality. Instead, it tiptoes around the man as though too much pressure would make...

Author: By Sarah M. Wood, | Title: Nureyev on Film | 4/23/1973 | See Source »

...film consists of segments from four of the Royal Ballet's repertoire, each a pas de deux featuring Nureyev and ballerina. La Sylphide, with Carla Fracci and The Sleeping Beauty, with Lynn Seymour, are both classical works. Field Figures, with Deanne Bergsma, choreographed by Glen Tetley, is a modern ballet. And Marguerite and Armand, with Dame Margot Fonteyn, choreographed by Sir Frederick Ashton especially for the pair, is based on Dumas's story of Mme. Recamier, the courtesan immortalized by Garbo in Camille. Ashton calls his ballet an "evocation poetique," but it is more like sentimental prose. The other pieces...

Author: By Sarah M. Wood, | Title: Nureyev on Film | 4/23/1973 | See Source »

Jack Guerney, (Peter O'Toole), the 13th Earl of Guerney has just come into his inheritance by his father's fatal eccentricity. (The old man accidentally hung himself to death in a cocktail hour habit of stringing himself up by the neck in ballerina regalia.) But Jack is a paranoid schizophrenic who believes he is the God of Love, a charming and loveable idiot who can't stop raving about goodness and love. (Jack's explanation for his divine identity is this: "When I pray to Him, I find I'm talking to myself...

Author: By Alice VAN Buren, | Title: The Mad Prince of Privilege | 3/5/1973 | See Source »

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