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...certainly Princess Bopha Devi, 25, eldest daughter of Cambodia's Prince Norodom Sihanouk, looks as serene and elegant as the white frangipani blossoms that she usually scatters through her hair. Now she was wearing the 6th century headdress, valued at $200,000, that marks her position as prima ballerina in Cambodia's Royal Ballet. It is a 2,000-year-old tradition that the leading dancer be the daughter of the king-and though Sihanouk has renounced his royal title, Princess Devi is prima in the hypnotic dances, which, she says, are "witnesses to the past grandeur, glory...

Author: /time Magazine | Title: People: Jun. 7, 1968 | 6/7/1968 | See Source »

Freudian Mud. In a special way, it was Nureyev's season. He performed at least three nights a week-most often in tandem with Margot Fonteyn, still a ballerina of faultless style at the age of 49. Nureyev also had a hand in the choreography of three productions that the Royal brought with it. The best were derivative-works restaged from the repertory of his former company, Russia's Kirov Ballet. By far the worst was his muddied Freudian version of The Nutcracker, in which Drosselmeyer, with a Humbert-Humbert lurch, is transformed into the prince who pays...

Author: /time Magazine | Title: The Dance: A Month of Now | 6/7/1968 | See Source »

...Bolshoi Ballet detailed a 39-star detachment from its massive, 250-strong company to occupy the Metropolitan Opera as soon as the Royal Ballet left. Leading the company was Maya Plisetskaya, a ballerina assoluta of the broad, open Moscow style, which makes the sheer physical act of moving beautifully through space look like a natural way of life. The Russians offered virtuoso, bravo-catching nights of pinpoint turns, rock-steady balances and astronautic high leaps. But there was little to praise in the undernourished bits, snippets and shards of 19th century choreography that provided the vehicles for the Bolshoi...

Author: /time Magazine | Title: The Dance: A Month of Now | 6/7/1968 | See Source »

...Susan Golod and Peter Mansbach from Brandeis. The two prance about the stage with a desk chair (the third in the trio) to some very fine Scarlatti. Squirming under the chair, carrying it, carrying each other, stomping heartily to the music, the bespecatcled Miss Golod (whoever heard of a ballerina wearing glasses?) and the scruffy, blue-jeaned Mr. Mansbach made flagrant nonsense of both the old Master and the art of dance. It was a daring, enjoyable piece, summarizing the evening's offerings with appealing honesty and not a little sarcasm...

Author: By Kerry Gruson, | Title: Dance Concert | 5/20/1968 | See Source »

...Sanders' Impressions, which uses Paul Klee paintings as "points of departure" for seven vignettes (set to music by American Composer Gunther Schuller) that capture both the painter's economy and his wit. There is sexy balletic humor in a spoof of Arab amour that features sinuous ballerina Willy de la Bije as the most languid odalisque ever to scratch herself where it itches. Most ambitious American entry is Glen Tetley's The Anatomy Lesson, which takes as its starting point Rembrandt's famous painting of the white-ruffed, black-hatted surgeons of Amsterdam, solemnly posed around...

Author: /time Magazine | Title: Dance: Cooling It | 4/26/1968 | See Source »

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