Word: balletically
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...Despair,” “Eat Pray Love,” and “Teanga Eile/Second Tongue.” “Twenty Love Poems” featured Daniela F. Joffe ’10 and Merritt A. Moore ’10 in a ballet-inspired dance (choreographed by Joffe) that showcased their skill and stage presence. The accompaniment of pop musician Sia Furler’s “Breathe Me” perfectly complemented the movements, with appropriate intensity to match the passionate dance. The interaction between Moore and Joffe was sensual...
...theater-going Bostonians every weekend from now until the new year, officially ringing in the holidays with ballet’s major cash cow. But for the frugal-minded collegiate crowd (who are either too cold or too postmodern to leave the dorms for a night at the ballet), there is an alternative Tchaikovsky and E.T.A. Hoffmann fix. Get your hands on a copy of the 1977 American Ballet Theater production of “The Nutcracker.” It remains the most popular “Nutcracker” film in history, it is available at Lamont...
...found in the Alps. Down a short path from the Swiss village is a working Chinese tea plantation, and each afternoon the development's 1,300-seat theater sells out its Zen Tea Show. Performed against the world's largest LCD screen, this hour-long spectacle combines ballet, kung fu and dancing teapots while reminding the audience of China's Buddhist roots. A mountaintop temple is being built nearby to ensure the resort's feng shui, and reminders of modern China are everywhere within the alpine resort itself. One of those quaint Swiss chalets is, in fact, a KFC outlet...
Balanchine described the narrative of his ballet “Apollo” as “a wild, untamed youth who gains nobility through art.” Though it has been 50 years and two knee replacements since Jacques d’Amboise played the title role for the New York City Ballet, he pantomimed god’s birth and education by the muses with exuberance and grace for a Harvard audience last week. The subject of art as a mirror on the world and the transformative power of dance became the focal point...
...only remarkably compelling, but also complemented the choreography perfectly. The choice honored the 70th birthday of its composer, Philip Glass, this year. The piece’s style also differentiated it from the other two dances. Choreographers conceived “On the Brink” as an abstract ballet, and the dancers’ performance was technically exquisite, with ensemble movement perfectly synchronized. The piece was by far the most energetic of the three, and “On the Brink” demonstrated a much clearer emotional journey than the preceding works. As the dance opened, the dancers...