Word: balletically
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...performance began on a good note with “Within You Without You,” choreographed by Elizabeth A. Miller ’09. The piece opened with a ballet-inspired solo by Stephanie H. Lo ’10, who was then joined by Daniela F. Joffe ’10, Sarah F. Schlegel ’10, Sonia K. Todorova ’07, and Bianca A. Verma...
...addition to presenting her platform and modelling swimsuits and evening gowns, contestants were required to showcase a talent. Sinnott—who has experience with genres such as ballet, jazz, hip hop, and Irish step—performed a Fosse-style jazz number...
...statues, turning windows, and flying trees—the actors perpetually move to a complex choreography. “We’re incorporating a lot of dance elements into the staging of the show,” Kirk says. “It’s not a ballet, but that doesn’t mean we’re not... having rhythm as part of the show, not with just people standing around, but beating out a rhythm, moving bodies to become animals or parts of buildings.” “I think this production seeks...
...Burton could sell his bottles of wry whimsy to film fans, Matthew Bourne has managed a tougher trick: getting the mass audience to go crazy for ballet. The English choreographer's updating of The Nutcracker and Cinderella have been perennials of the London theater. His all-male Swan Lake was a Broadway sensation in 1998. He also brought Samuel Beckett's Play Without Words to dance life. In a more traditional mode, Bourne co-directed and co-choreographed the Disney stage musical of Mary Poppins , which started in London and came to Broadway last November. Demolishing conventions, bestriding art forms...
...Finally, when Kim realizes that the man with the cutlery fingers is kinder, more sensitive than any human, and she and Edward come together in dance, eSizz soars into ballet ecstasy. As Edward's giant ice sculpture of Kim looms at one side, she melts into his arms. Their climactic pas de deux is one of the emotionally potent I've seen, both because of the precision of the performers' movements and its dramatic necessity in the story - at this moment of connection, what can two people do but dance...