Word: ballets
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Dates: during 1910-1919
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...program for the Pop Concert in Symphony Hall this evening: 1.March, "The Comet," Strube 2. Overture, "Raymond," Thomas 3. Waltz, "Fideles Wien," Komzak 4. Selection, "II Trovatore," Verdi 5. Selection, "Pagliacci," Leoncavallo 6. Ave Maria, Schubert Solo 'Cello, Mr. J. Keller; Harp, Mr. Schuecker; Organ, Mr. Marshall. 7. Ballet Music from "Coppelia," Delibes 8. Hungarian Rhapsody No. 2, Liszt 9. Introduction to Act III, "Lohengrin," Wagner 10. Selection, "Madame Sherry," Hoshna 11. American Fantasy, Herbert 12. March, "Nechledil," Lehar
...program for the Pop Concert in Symphony Hall this evening: 1.Coronation March, Meyerbeer 2. Overture, "Masaniello," Auber 3. Selection, "Rigoletto," Verdi 4. Waltz from "Der Rosenkavalier," R. Strauss 5. Overture, "Rienzi," Wagner 6. Valse Lente and Pizzicato from Suite "Sylvia," Delibes 7. Reve Angelique, Organ, Mr. Marshall. Rubinstein 8. Ballet Music from "La Gioconda," Ponchielli 9. March, "Pomp and Circumstance," Organ, Mr. Marshall. Elgar 10. (a) The Rosary, Nevin (b) Serenade, Moszkowski 11. Selection, "Naughty Marietta," Herbert 12. March, "Werner," Ziehrer
...Fine Arts. The present collection, although small, is as important as any exhibition of Degas that has ever been put before the public. Some of his most widely known masterpieces are on view, and the different periods of his style are well represented. There are on exhibition "The Ballet Girls," the well-known "Interior," "Femme Au Tub," "Rehearsal of the Ballet in the Foyer," "Au Champ de Courses," "Danseuses--foyer de la dance;" and perhaps his most famous work, "Race Horses...
Rameau's "Ballet Suite" imposes a searching test upon a string orchestra, and it is not too much to say that the Pierian strings acquitted themselves most creditably by reason of their firm attack, rhythmical precision, and sensitive nuances...
...Roepper's "Ballet Scenes" show much imagination, a definite sense of picturesque color, coherent development, and a due sense of form. As is natural with a composer of limited experience, he tends towards unnecessary complication both in the disposition of his musical materials and his orchestral forces, but at the same time he shows marked ability as well as promise of future concrete achievement...