Word: ballets
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Dates: during 1910-1919
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...Sylvain Noack, violinist, will be the soloist at the fourth of the Boston Symphony Orchestra concerts in Sanders Theatre, to be given this evening at 8 o'clock. Dr. Muck will conduct. The following program will be presented: Symphony in E flat major, No. 1, Haydn Ballet Music (No. 2 of Gevaert's Suites des Danses Celebres), Gluck Concerto for Violin and Orchestra in D major, No. 4, Mozart Concerto in F major in strings and two wind instruments, Handel...
...fourth of the Boston Symphony Orchestra concerts in Sanders Theatre will be played tomorrow evening at 8 o'clock. Mr. Sylvian Noach, violinist, will be the soloist. The following program will be presented: Symphony in E flat major, No. 1, Haydn Ballet Music (No. 2 of Geraert's Suites des Dances Celebres), Gluck Concerto for Violin and Orchestra in D major, No. 4, Mozart Concerto in F major for strings and two wind orchestras, Handl...
...Boston Symphony Orchestra will play in Sanders Theatre on Thursday evening at 8 o'clock. Mr. Sylvain Noack, violinist, will be the soloist. The program is as follows: Symphony in E flat major, No. 1 Haydn Ballet Music (No. 2 of Gevaert's Suite des Danses Celebres), Gluck Concerto for Violin and Orchestra in D major, No. 4, Mozart Concerto in F major for strings and two wind orchestras, Handel...
...most brilliant French opera, and, even in Germany, the most popular of all operas, Bizet's "Carmen," was presented Tuesday night to a small but responsive audience by the Boston Opera Company in conjunction with the Pavlowa Ballet Russe. The gorgeous wealth of melody and the exquisite sensuous indulgence, to which the work owes its universal appreciation, taken together with its tragic climaxes, make "Carmen" extremely difficult to produce. Although the performance was uneven and disheartening at first, it improved immensely as the evening progressed, and the work may be said to have been on the whole extremely creditable...
...Ballet Russe in place of the Spanish ballet was a fortunate exchange for those who were anxious to see Pavlowa, though it was a peculiar anachronism nevertheless. The spirit of Russia which Pavlowa seems to embody so wonderfully was a little out of season, but her performance was of such perfection that it was complete in itself. With what subtlety and marvelous grace she expresses that terrible Russian contrast a wild, rhapsodical indulgence, and an all-impregnating, heart-rending despair...