Word: ballets
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Dates: during 1930-1939
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Beautifully costumed, cleverly staged, its acts varied from acrobatics to ballet, from comic capers to spinning solos. It had no glittering star like Hollywood's Sonja Henie. But skating fans last week were ready to adopt new ice gods: Wisconsin's piquant Bess Ehrhardt and dashing Roy Shipstad (the "human top"); Adagio Specialists Idi Papez and Karl Zwack of Vienna (onetime European pair champions) ; Brooklyn-born Evelyn Chandler, who turns nine Arabian cartwheels without touching hands to ice; little Harris Legg, who takes a breath-taking leap over a lineup of eleven barrels and as a giant snowman...
...presenting its fifty-ninth production, "Too Late to Laugh," a play with music and ballet by Vinton Freedley, Jr. '40, the Dramatic Club returns to its policy of productions which are wholly the work of Harvard students...
...demonstration of different aspects of Strawinsky's art, but also a showing of many ideas which have become basic characteristics of the contemporary musical idiom. Strawinsky himself will conduct the Boston Symphony Orchestra in just such a program on Friday and Saturday when they will play The Card Game ballet music, the Capriccio for Piano and Orchestra, the suite from Petrouchka, and the Symphony of Psalms...
...Blue Period." By 1904 he returned to live in Paris, permanently, and in swift succession followed the "Harlequin," "Rose" and "Negro" periods. By 1908 he was pioneering in cubism, with a side foray into pasted paper compositions. Picasso's seven years' designing for the Russian Ballet, beginning in 1917, led him into a neo-classical realism, culminating in the sculptural Three Graces (see cut) of 1924. Year later his classicism came to a violent end with his painting, The Three Dancers (see cut), which left not one line of The Three Graces on another. Picasso's subsequent...
...Venusberg Bacchanale scene from Wagner's Tannhäuser they saw what they had come for. At the back of the stage, before a punctured mountain on a windswept plain, an ossified swan spread 15-ft. wings. In and out of its ruptured, bony breast the Ballet Russe de Monte Carlo's ballerinas climbed like the maggoty stuffing of a decayed Thanksgiving turkey. In the orchestra pit the staid Metropolitan Opera orchestra surged and noodled conventionally through Wagner's foaming music. But the cavorting it accompanied would have turned a Wagnerian's hair white...