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Word: ballets (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Passau's picturesque location at the confluence of the Inn, the Hz and the Danube. This yearns highlights: a performance of Bruckner's Ninth Symphony by the Bamberg Symphony under Joseph Keilberth; Bruckner's C Major Organ Prelude, played on the cathedral organ; two evenings of ballet danced by the Ljubljana Slovene National Opera and Ballet on the banks of the Danube...

Author: /time Magazine | Title: Music: Festivals Around the Corner | 7/8/1957 | See Source »

...improve the "cultural education" of the local citizens, who fight one another for seats. Scene: the city's 4,000-capacity Plaza Porticada, a onetime bull ring, canvas-roofed for the occasion. Among this year's impressive attractions: the Orchestre de la Suisse Romande, the Royal Opera Ballet of Stockholm. The Spanish government underwrites the festival's annual deficit of 2,000,000 pesetas (some $60,000), pegs prices so low that fishermen and day laborers by the thousands can attend...

Author: /time Magazine | Title: Music: Festivals Around the Corner | 7/8/1957 | See Source »

...Ballet Company...

Author: By Caldwell Titcomb, | Title: Sixth Annual Boston Arts Festival Evaluated | 7/1/1957 | See Source »

Lucas Hoving and Lavina Nielsen danced their own "Satyros," a hilarious spoof devised for a frothy Poulenc trio for piano, bassoon and oboe (the latter exquisitely played by Robert Freeman '57). The piece de resistance was Limon's own "Emperor Jones," a 20-minute ballet based on the O'Neill play. The choreography is inspired and Pauline Lawrence's costumes superb. The prolific Heitor Villa-Lobos composed the magnificently frenetic score. This ballet concert marked a tremendous improvement over the one presented last year...

Author: By Caldwell Titcomb, | Title: Sixth Annual Boston Arts Festival Evaluated | 7/1/1957 | See Source »

...concert was saved from failure by Renard, only now having its New England premier after 41 years. This used a small orchestra of 15 or so, and they were able to play with the requisite precision. The work is a ballet-burlesque, brilliantly choreographed after Balanchine, wonderfully costumed, and impeccably danced by Todd Bolender, Francisco Moncion, Herbert Bliss and John Mandia as a fox, rooster, cat and ram, respectively. Their singing counterparts, also excellent, were tenors John MeCollum and John King, baritone Robert Gay, and bass Herbert Gibson...

Author: By Caldwell Titcomb, | Title: Sixth Annual Boston Arts Festival Evaluated | 7/1/1957 | See Source »

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