Word: ballets
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Dates: during 1970-1979
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...rock 'n' roll's The Who-subject of this week's cover story-is not too much to ask of a music editor. But add responsibility for editing major stories on the movies' Kramer vs. Kramer (Dec. 3), television's Mork (March 12), ballet's Gelsey Kirkland (May 1, 1978), and the job calls for Martha Duffy. As senior editor of TIME's Cinema, Music, Dance, Show Business, Television and Theater sections for the past five years, she is in effect the magazine's performing arts expert...
Written by the British art critic and historian Ian Dunlop, Degas (Harper & Row; 240 pages; $37.50) is by far the best introduction to the life and work of the painter of boulevards and ballet dancers now in print. A student of Ingres's and the great contemporary of Manet, Flaubert Sand the Goncourt brothers, Degas was one of those ocular witnesses without whom the cultural life of France in the 19th century cannot be understood; and no writer has done a better job of placing this tetchy, formidable genius, with his astonishing powers of observation iand his bitter tongue...
Everybody seemed to be out of step at the American Ballet Theater. For six months, the company and 77 dancers-soloists and the corps de ballet-have been bickering over salaries and travel expenses...
...spirit of Tenniel also hovers over Frogs and the Ballet (Gambit; $9.95). Ever since Disney presented a group of pirouetting alligators in Fantasia, reptiles have been as comfortable onstage as they are in the swamp. The Muppets are further evidence, bolstered by Donald Elliott's informative guidebook and Clinton Arrowood's corps d'amphibians.' In fact, the text is a straightforward introduction to the dance. But somehow, when the steps are illustrated by frogs in tutus and tights, an air of lunacy pervades the proceedings and the young reader is suddenly an attendant at the wedding...
...Deutsche Oper, the Vienna visit turns out to be the final coup of his tenure. Internal conflicts have led the center's board to redefine Feinstein's status as of Nov. 30, retaining him thereafter only in the less powerful role of director of opera and ballet. The impact of this change on future visits by foreign companies is unclear...