Word: ballets
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Dates: during 2000-2009
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...from being inert, excess fat, researchers now know, is actually an active participant in the body's biological ballet--particularly if it's visceral fat, which can surround and even suffuse organs like the liver. Relatively shallow subcutaneous fat, which sits just under the skin, imposes a weight burden on the body but remains biologically dormant--more a repository for energy than anything else. Visceral-fat cells can secrete hormones and cytokines that help control inflammation and guide energy use by all the body's other cells. Normally this regulation of cellular fueling is maintained by a well-balanced relay...
When Madelyn M. Ho ’08 arrived at Harvard, she had a clear plan: concentrate in the sciences, prepare for medical school, and, in her free time, continue dancing ballet as a hobby. Four years later, the chemical and physical biology concentrator is set to join a six-member professional dance company founded by renowned choreographer Paul Taylor...
...Despite pursuing ballet in high school and never considering dance until this year, Ho will now tour the nation with a professional company created by one of its foremost modern choreographers. Her shift is emblematic of a campus whose already-vibrant arts community is gaining prominence and support, and is finding new ways to integrate reflection and creation...
...some minds Khaldei - although unschooled and dismissive of any claim to being an "artist" - may have had the aesthetic edge, with his intuitive sense of theatrical composition. It turns the silhouette of a patrol setting off in the cold midnight sun of the Barents Sea into a grim ballet of war. The show's co-curator, Ernst Volland, says the photographer's aesthetic instincts may have been formed by Russian avant-garde revolutionary art of the 1920s - the paintings of Rodchenko and films of Vertov and Eisenstein. "Remarkable," says Volland, "how even in the most harrowing circumstances, with death, suffering...
...Harvard Ballet Company (HBC) organized its spring show, performed on April 25 and 26, around its eponymous title: the second half is truly “From the Wings” of the first. The former provided excerpts from “Swan Lake,” while the latter featured classically inspired movement reinterpreted in 10 contemporary pieces. As disparate in style as these two halves were, so too was the quality of execution. Directed by Jennifer S. Love ’09 and Valentine N. Quadrat ’09, and produced by Jordan E. Roberts...