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Wheeldon's true breakout began in 2001 with Polyphonia, a dazzlingly imaginative suite set to the jagged piano music of contemporary Hungarian composer Gyorgy Ligeti. Other companies and other styles soon beckoned. There was a richly rendered A Midsummer Night's Dream for Denver's Colorado Ballet; another spiky, witty Ligeti work, Continuum, for the San Francisco Ballet; a fairy-tale treatment of Stravinsky's Firebird for the Boston Ballet. Like Balanchine before him, Wheeldon ventured onto Broadway, creating dances for the 2002 musical Sweet Smell of Success. It was a dud, but it led to a collaboration with Success...

Author: /time Magazine | Title: Dance: In the Ear, Out the Foot | 5/10/2004 | See Source »

Indeed, it will be hard to take the Harvard spirit out of this dancer who is so well-entrenched in Harvard’s dance community, as a member of the Radcliffe Dance Company, the Mainly Jazz Dance Company, Harvard Ballet Company and Harvard Contemporary Dance Ensemble...

Author: NO WRITER ATTRIBUTED | Title: Six Students Recognized by OFA | 5/8/2004 | See Source »

...Harvard Ballet Company...

Author: NO WRITER ATTRIBUTED | Title: Arts First | 5/7/2004 | See Source »

...Harvard Ballet Company...

Author: NO WRITER ATTRIBUTED | Title: Arts First | 5/7/2004 | See Source »

Indeed, it will be hard to take the Harvard spirit out of this dancer who is so well-entrenched in Harvard’s dance community, as a member of the Radcliffe Dance Company, the Mainly Jazz Dance Company, Harvard Ballet Company and Harvard Contemporary Dance Ensemble...

Author: By Vinita M. Alexander, Akash Goel, Jayme J. Herschkopf, Marin J. Orlosky, and Nathaniel A. Smith, CRIMSON STAFF WRITERSS | Title: Six Students Recognized by OFA | 5/7/2004 | See Source »

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