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...first of the postwar ballet superstars, vastly increasing the dance audience. It is no exaggeration to say he burst upon the West, defecting in Paris at age 23 after being ordered back to the U.S.S.R. in the middle of a Kirov Ballet tour. His partnership with Margot Fonteyn, prima ballerina of London's Royal Ballet, was the most famous of the century: her ineffable femininity, his feral grace. She called him "a young lion leaping," and wild he was. His tempers were fearsome, his demands insatiable. Unwilling to settle with one company, he put no limits on his own worth...

Author: /time Magazine | Title: Two Who Transformed Their Worlds: Rudolf Nureyev (1938-1993) | 1/18/1993 | See Source »

Fonteyn spotted him quickly after his 1961 defection. His entry into the Royal Ballet is legendary. No one had ever seen anyone of his primitive, utterly uncompromising power, and they were awestruck. For Fonteyn it was an extension of a great career. For the well-mannered, well-schooled dancers it was a shock. "He was more than temperamental," recalls American Ballet Theater ballet mistress Georgina Parkinson, then a soloist with the Royal. "But when he staged La Bayadere, he came to us as a dancer. He understood our shortcomings and was tireless in helping us and broadening our horizons." That...

Author: /time Magazine | Title: Two Who Transformed Their Worlds: Rudolf Nureyev (1938-1993) | 1/18/1993 | See Source »

...plasticity began to decline, robbing his performances of their wonderful flow. By the '80s the problem had become severe, but despite the advice of friends and critics he would not quit. He was not, however, just a nomad. In 1983 he became artistic director of the Paris Opera Ballet for six colorful years. Again his temperament made headlines, but Nureyev gave the company a professionalism it had virtually forgotten and nurtured the careers of young dancers who are now stars, among them Sylvie Guillem, Patrick Dupond, Charles Jude and Elisabeth Platel. As Royal's dancers had learned years before, when...

Author: /time Magazine | Title: Two Who Transformed Their Worlds: Rudolf Nureyev (1938-1993) | 1/18/1993 | See Source »

Besides Raza, Latinas Unidas and La O, the College is home to Ballet Folklorico de Aztlan, Del Sur magazine and the Hispanic Forum, a political group which is concerned with Latin American issues as well as those closer to student concerns...

Author: By Anna D. Wilde, CRIMSON STAFF WRITER | Title: Latino Life at Harvard | 1/11/1993 | See Source »

...article stressed only two dance forms, ballet and jazz, and it omitted any reference to the many other dance companies on campus, including various ethnic companies as well as our modern dance company...

Author: NO WRITER ATTRIBUTED | Title: Dancers' Needs Often Ignored | 1/4/1993 | See Source »

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