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...culture too, New York remains a pacesetter. Other cities would be proud to have one world-class performing troupe. New York has dozens, including the Metropolitan Opera, the New York Philharmonic, the American Ballet Theater, the Alvin Ailey American Dance Theater, and the Manhattan Theater Club. As a showcase for theater, Broadway has few rivals -- unless they are the city's own off-Broadway and off-off-Broadway productions. Its collection of museums is a gallery in itself...

Author: /time Magazine | Title: The Decline Of New York | 9/17/1990 | See Source »

...seat to $60, and a healthy season yields no more than 35 new shows, only 12 of which are deemed successes. In dance alone, New York lost 55 world-class studios in the past four years. Others, including Martha Graham Dance, are considering following the example of the Joffrey Ballet by establishing second and third homes in other cities. That means a shorter season in New York. "This is the most expensive, difficult and competitive city for arts organizations," says David Resnicow, president of the Arts and Communications Counselors, which arranges sponsorships for corporations and cultural institutions...

Author: /time Magazine | Title: The Decline Of New York | 9/17/1990 | See Source »

...Baryshnikov-Morris tour, scheduled for 17 U.S. cities in October and November, would seem about as likely a partnership as the owl and the pussycat. Baryshnikov, 42, the pre-eminent male dancer of the 1970s and '80s, defined the great classical ballet roles. Morris, 34, is a brilliant and somewhat unruly postmodern choreographer. Baryshnikov dances "up," every graceful move a dismissal of gravity. Morris, a marvelous performer as well, is blunt and emphatic. Where the one leaps high, the other stamps down, like the folk dancer he was as a teenager...

Author: /time Magazine | Title: Dance: The Mark and Misha Show | 9/17/1990 | See Source »

Sensible citizens may be able to laugh off the idea of depravity emanating from their civic orchestra, ballet or Shakespeare theater. But in a battle conducted chiefly in the media, all it takes is a couple of controversial recipients to overshadow thousands of uncontested ones. And in the overheated climate of current debate, attempts to weed out controversial recipients can poison relations between the NEA and its beneficiaries. Last week the endowment reaffirmed a decision to strip grants from four performance artists, all of whom deal with sexual issues, after they had been chosen by fellow creators. NEA Chairman John...

Author: /time Magazine | Title: Theater: Are Artists Godless Perverts? | 9/10/1990 | See Source »

Graig Nettles played third. He was a ballet dancer who somehow ended up performing his pas de deux on a baseball diamond. Nettles was the one I couldn't take my eyes...

Author: By Philip M. Rubin, | Title: The Last of the Lot | 8/7/1990 | See Source »

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