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...Ballet dancing Rodeo, Rudolf Serkin playing a Schubert impromptu and John Denver singing Rocky Mountain High. Then came a surprise for basketball fan Teng, the clowning of the Harlem Globetrotters. Teng also clearly enjoyed the singing of I Love T'ien An Men Square, in Chinese, by the 80-member National Children's Choir. After the show the Carters, Teng, and his wife, who was holding hands with Amy Carter, rushed up to shake hands with the Globetrotters and kiss the children. Carter finally exited with Teng stage left, his arm draped casually around the Vice Premier...

Author: /time Magazine | Title: Nation: Teng's Triumphant Tour | 2/12/1979 | See Source »

Crowning the Teng festivities in Washington this week is a gala entertainment at the Kennedy Center for the Vice Premier and 600 selected guests, including Washington's Government and business elite. They will view the ballet Rodeo and excerpts from the Broadway musical Eubie and hear John Denver sing his country songs. One Washington wag suggested that Teng would probably prefer a show performed exclusively by Russian defectors: Dancers Rudolf Nureyev and Mikhail Baryshnikov and ex-Moscow Philharmonic Conductor Kiril Kondra-shin, for example...

Author: /time Magazine | Title: World: Teng's Great Leap Outward | 2/5/1979 | See Source »

...Dance is not only ballet. It's everything and everywhere," says Dame Margot Fonteyn, who ought to know. Britain's prima ballerina has narrated a six-part BBC series, The Magic of Dance, scheduled to air in the U.S. in the fall. To film the show, Fonteyn, 59, visited a ballet school in Peking, chatted with Fred Astaire in Los Angeles and inter viewed Nijinsky's daughter in Manhattan. Outside Athens, she saw the remains of a "temple of dance" built in 1904 by flamboyant American Dancer Isadora Duncan. "Isadora had a passion for children...

Author: /time Magazine | Title: People: On the Record | 2/5/1979 | See Source »

Fall is a gaudy, abandoned bacchanal starring Patricia McBride, Jean-Pierre Frohlich and Baryshnikov in the first role created for him since he joined City Ballet. He is the scarlet king of the revelers. He swivels into furious spins, only to leap high - and go right on whirling again. It is an audacious, fiendishly difficult cadenza on the pirouette. In other spins he slows down suddenly, as if sinking into his own momentum. For sheer bravura, the high light is a series of leaps that resemble a broad jumper's hitch kick. He kicks into the air with...

Author: /time Magazine | Title: Dance: Stepping Up to Paradise | 1/29/1979 | See Source »

...Robbins calls "a superhuman instrument." (The Fall segment will also be danced by Peter Martins with different choreography and music, to show off his serene purity of line.) On opening night, The Four Seasons was on the program between two Balanchine masterpieces, Concerto Barocco and Symphony in C. Those ballets were brutal competition for the new work, which nonetheless won the crowd with its buoyancy and élan. Rossini once said that all kinds of music are good except the boring kind. That goes for ballet too. - Martha Duffy

Author: /time Magazine | Title: Dance: Stepping Up to Paradise | 1/29/1979 | See Source »

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