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Whatever his private anguish at having left the Soviet Union may be, Mikhail Baryshnikov's professional motto must be "Don't look back." Last week, in an American Ballet Theater premiere at Washington, D.C.'s Kennedy Center, he took Don Quixote, a favorite Russian ballet little known in this country, and turned it into-a classical vaudeville? A romantic comedy? A Broadway musical en pointe? The new Don Q is in part all of these, a marvel of speed, timing and razzle-dazzle. The setting is Spanish and the tradition Russian, but the flavor is distinctly American...

Author: /time Magazine | Title: Dance: The Americanization of Don Q | 4/3/1978 | See Source »

...century-old Marius Petipa choreography (as revised by Alexander Gorsky). It is in the brashness, polish and satirical twists that Don Q seems transplanted. As Jerome Robbins broke up the anonymity of the old musical chorus line, Baryshnikov has livened up the role played by the corps de ballet, giving many of the 50-odd dancers at least some individuality. Several brief solos, small ensembles or fleeting bits of stage business make for nearly nonstop action. For the A.B.T. corps it must be an exhilarating ballet to dance...

Author: /time Magazine | Title: Dance: The Americanization of Don Q | 4/3/1978 | See Source »

...most exuberant girl around, Kitri, makes a bravura triumph for Gelsey Kirkland. One tends to think of her playing an unearthly maiden in a romantic ballet. But despite her fragile body, she is a gutsy, bold dancer with almost palpable physical courage. She flings herself into the role of Kitri. Her foot hits the back of her head when she jumps (and she leaps the night away). Her attacks are almost stabbing. Her fan flips constantly - unless she is using it to poke Basil. She so clearly relishes keeping him in line that one wonders if there...

Author: /time Magazine | Title: Dance: The Americanization of Don Q | 4/3/1978 | See Source »

...from murder mysteries to multi-media, proving once again what a diverse Center for the Arts Cambridge is, how stimulating a place it is to go to school in, and how appreciative we should be--you get the drift. Seriously, though, there is a nice assortment of drama and ballet this week; if none of the new shows appeal, you can always make do with last week's leftovers...

Author: By Susan D. Chira, | Title: One Gershwin and Two Sneakers | 3/9/1978 | See Source »

Leading the list of ballet offerings is Coppelia, one of the all-time classics about a life-like doll that mysteriously comes to life. The Boston Ballet performs it March 9-12 at the Music Hall in Boston; call 542-3945 for ticket info...

Author: By Susan D. Chira, | Title: One Gershwin and Two Sneakers | 3/9/1978 | See Source »

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