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Much of that disintegration takes place as he watches his beloved Tadzio dance on the beach. The Royal Ballet's 19-year-old Robert Huguenin (who, true to the novella, never speaks) is sinuous without being sickly sensual. This restraint probably errs in the excessively angular choreography Sir Frederick Ashton has designed for the cavorting boys on the beach. Yet it is an effective use of ballet as a symbolic vehicle...

Author: /time Magazine | Title: Music: Brilliant Britten | 7/9/1973 | See Source »

...howitzer position, imbedded in granite with only its muzzle protruding, the battery commander has choreographed a little ballet to impress visitors from the outside world. His twelve-man squad performs with perfect precision-running, jumping, stamping and shouting-all the while simulating the loading of the big gun. Most of the troops have little opportunity to fire live ammunition, however. Instead, the Nationalists concentrate on "psy-war." They have a high-powered radio station that reaches deep into the mainland. High-altitude balloons intermittently shower propaganda leaflets on the "enemy," with slogans like "Chiang Kai-shek is concerned about...

Author: /time Magazine | Title: CHINA: The Intrepid Moles of Quemoy | 7/2/1973 | See Source »

Jerome Robbins is currently considered the man most likely to succeed George Balanchine as artistic guru of the New York City Ballet. Thus every new ballet by Robbins is scrutinized with particular care, to see how his choreographic talents blend with the performing skills of a company that was created by the immortal...

Author: /time Magazine | Title: Dance: Robbins the Romantic | 6/18/1973 | See Source »

...Evening's Waltzes, which was given its premiere by the City Ballet last month, looks fiendishly difficult in its physical demands. Yet it is being performed with such brio that the ballet has become an instant hit of the company's spring season at Lincoln Center...

Author: /time Magazine | Title: Dance: Robbins the Romantic | 6/18/1973 | See Source »

...wonder. Based on a Prokofiev suite, Waltzes is perhaps Robbins' most sensuous and romantic ballet and, at the same time, an intellectually ingenious treatment of the possibilities inherent in this dance form. In the first four sections of the work, Robbins uses the waltz almost as a leitmotiv. In the midst of a complex variation, for instance, the corps will suddenly pace off a basic waltz step. At the finale, the stage is filled with swirling bodies, suggesting the Dionysian impulses of a dance once considered impolitely erotic...

Author: /time Magazine | Title: Dance: Robbins the Romantic | 6/18/1973 | See Source »

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