Word: ballets
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...PLAYHOUSE (shown on Fridays). "Ballet Gala" features principal dancers from Moscow's Bolshoi Ballet, London's Royal Ballet, the Royal Danish Ballet and the Paris Opera Ballet performing excerpts from Swan Lake, Don Quixote and Romeo and Juliet...
...Rudolf Nureyev proclaimed, Manhattan's Lincoln Center last week was "a ballet supermarket," and balletomanes dashed eagerly from aisle to aisle to sample the best offerings. At the New York State Theater, the American Ballet Theater opened a month-long stand featuring the man whom Nureyev considers the finest male dancer in the world: Denmark's Erik Bruhn. Meanwhile, a few grand jetés across the Lincoln Center plaza, London's Royal Ballet twirled past the midpoint of its six-week season at the Metropolitan Opera, featuring Margot Fonteyn and the male dancer whom Nureyev considers...
Besides pitting Bruhn and Nureyev against each other, the two companies squared off with competing full-length versions of the seemingly inexhaustible classic, Swan Lake. Here the Americans scored an ironic coup, for their production was staged by a premier danseur of the Royal Ballet, David Blair. By going back largely to the seminal 1895 production in St. Petersburg, Blair restored the choreographic brilliance of the work; but he also added dances of his own and reshuffled the story with a knowing eye for drama. The result-handsomely mounted and costumed-was not only the most substantial Swan Lake...
Musty & Misty. By contrast, much of the Royal Ballet production looked musty as well as misty. Yet in the fervent fluidity of their corps de ballet, and particularly in the incandescent performances of Nureyev and Margot Fonteyn, the Londoners had an asset that the Ballet Theater version, ably danced as it was, could not match. Dame Margot, 48 this week, has distilled the Odette-Odile role to a consummate purity. She did not seem to project it so much as to be devoured by it, until it was almost impossible, in Yeats's words, to "know the dancer from...
...this were not enough for the comparison shoppers, the troupes presented duplicate performances of other works as well. Notably, there was Igor Stravinsky's ritualistic mosaic of a Russian peasant wedding, Les Noces, which the Royal Ballet gave earlier in the for mal, restrained version by Bronislava Nijinska. Last week the Ballet Theater showed off Jerome Robbins' dazzling choreography for it in a vigorous, soulful ensemble tour de force. The Americans also drew 17 curtain calls when they unveiled Eliot Feld's Harbinger, a lively and neatly dovetailed abstraction set to Prokofiev's Fifth Piano Concerto...