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...Sepik area of New Guinea watching native dances. "I wish Nureyev could have been here in the mountains with me," Nolan told TIME'S Australian correspondent by radiotelephone. "Somehow, 100 natives dancing with gorgeous bird of paradise feathers in their hair symbolized for me the very spirit of ballet...

Author: /time Magazine | Title: A Letter From The Publisher: Apr. 16, 1965 | 4/16/1965 | See Source »

This is TIME'S third cover story on the ballet* and Nolan's first cover for TIME. It was a commission that he welcomed with great enthusiasm. An Australian who now lives in London, Nolan is known for his brooding canvases, his translucent colors, and his figures of man, often puzzled but always dignified. A ballet buff for years, he designed the sets for Stravinsky's The Rite of Spring at London's Covent Garden. He is a convinced Nureyev fan, has been observing the dancer since 1962. In London he once watched from the balcony...

Author: /time Magazine | Title: A Letter From The Publisher: Apr. 16, 1965 | 4/16/1965 | See Source »

Premiered by Diaghilev in 1923 in Paris' Théâtre de la Gaité Lyrique, Les Noces has not been performed in the U.S. since 1936 because of the difficulties of mounting it. But the Robbins production was a symptom of the revived vigor of the American Ballet Theatre, which has had its ups and downs since it first burst on the U.S. stage with such freshly contemporary ballets as Robbins' own 1944 Fancy Free. Its current season at Lincoln Center has been a near-sellout success. Once again the company is what it was intended...

Author: /time Magazine | Title: Ballet: Back on Solid Ground | 4/9/1965 | See Source »

...American Ballet Theatre lacks the precision of the Kirov, the elegance of the Royal Ballet, the intellectualism of the New York City Ballet. But it is a kind of Bell Telephone Hour of the ballet, with something for everybody. And in this, it seems at last back on solid ground...

Author: /time Magazine | Title: Ballet: Back on Solid Ground | 4/9/1965 | See Source »

...from a cat that he hurls a brick at her; whereupon he is carted off to jail by the guardian of law and order, Offissa Pupp. Herriman injected so much poetry into his guileless strip that it was regarded by many as high art and even made into a ballet...

Author: /time Magazine | Title: Comics: Good Grief | 4/9/1965 | See Source »

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