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Small towns and the 1950s had this in common: many people wanted to get out of both. Then, at a safe distance of miles and years, a certain nostalgia began inching its way into memory like a balm. In recent years several entertainments have distilled that nostalgia-The Last Picture Show, for example, and the Broadway musical Grease. But none have had the vigor and precision of American Graffiti. This superb and singular film catches not only the charm and tribal energy of the teen-age 1950s but also the listlessness and the resignation that underscored it all like...

Author: /time Magazine | Title: Cinema: Fabulous '50s | 8/20/1973 | See Source »

SMALL CRAFT WARNINGS. Alone, heart-hungry, frightened, a group of strangers in a bar receive the balm of compassion which is always implicit in a play by Tennessee Williams...

Author: /time Magazine | Title: The Theater: This Year's Best Plays | 1/1/1973 | See Source »

...this last clause was soothing to Marlborough (whose client for the Rousseau, Italian Industrialist Gianni Agnelli, instantly cancelled the deal when the story broke), it was balm to Hoving, who derides the A.D.A. statement as "an absurd document-perfectly specious and contradictory." The Rousseau, he adds, "was of no importance to us" (although the Met owns only one other). This is not a view shared by most art experts or by Marlborough's senior partner, Frank Lloyd, who says, "In my opinion, it's a masterwork." Hoving defends the disputed sale in terms of the need to trim...

Author: /time Magazine | Title: Art: Breach of Trust | 10/16/1972 | See Source »

...listen" to it. Walter (Switched-On Bach) Carlos here presents four tone poems-spring, summer, fall, winter-that give a good approximation of what a year's hike might be like on the Appalachian Trail. Possible uses: mellifluous Muzak for a flower shop or Japanese tearoom, or dozy balm for the pastoral-minded insomniac trapped in the big city...

Author: /time Magazine | Title: Music: LPs: Nature and Art | 7/24/1972 | See Source »

...headed hooker (Cherry Davis) whose hand is on every man's groin except that of her woefully plastered boy friend (William Hickey); a drunken doctor (David Hooks) who kills when he aborts and a sardonically nihilistic homosexual (Alan Mixon). The world casts stones; Williams applies the balm of compassion to the bruises. In his eyes and under his poetic alchemy, these people become the embodiment of the fears that course through all of us at some time or other, the frailties that make us lie, betray any trust, cringe before bullies, vilify others-though in our hearts we wish...

Author: /time Magazine | Title: The Theater: Clinging to a Spar | 4/17/1972 | See Source »

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