Word: baltsa
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
MOZART: Don Giovanni. Samuel Ramey, Don Giovanni; Ferruccio Furlanetto, Leporello; Anna Tomowa-Sintow, Donna Anna; Agnes Baltsa, Donna Elvira; Kathleen Battle, Zerlina; Herbert von Karajan conducting the Berlin Philharmonic (Deutsche Grammophon). Salzburg Recital. Soprano Kathleen Battle, Pianist James Levine...
...flipped over. Finally, they are as easily stored as tapes, yet offer amenities (liner notes, opera librettos) similar to those of regular records. Already there are more than 800 titles available in the U.S. and even more in Europe and Japan. Among the best: Bizet: Carmen (Agnes Baltsa as Carmen, José Carreras as Don José, Berlin Philharmonic and Paris Opéra Chorus, Herbert von Karajan, conductor; Deutsche Grammophon; 3 CDs). Karajan's earlier Carmen, with Leontyne Price and Franco Corelli, was a full-throated spectacular in the grand-opera tradition. This one, 19 years later, reflects...
Verdi: Aïda (Mirella Freni, soprano; José Carreras, tenor; Agnes Baltsa, mezzo-soprano; Piero Cappuccilli, baritone; Ruggero Raimondi, bass; é van Dam, bass; Katia Ricciarelli, soprano; Thomas Moser, tenor; Vienna State Opera Chorus and the Vienna Philharmonic, Herbert von Karajan, conductor; Angel; three LPs). That old Ethiopian slave girl and would-be war bride finds a new and glorious incarnation in Mirella Freni, whose voice may not move pyramids but finds its way to the heart of the role. This is particularly true in the Nile Scene, where Aïda tussles with her passion for Radames...
Richard Strauss: Salome (Soprano Hildegard Behrens, Mezzo Agnes Baltsa, Tenor Karl-Walter Bohm, Baritone Jose Van Dam, Vienna Philharmonic Orchestra, Herbert von Karajan conductor, Angel; 2 LPs). With Karajan, the orchestral music comes first, even in opera. Here he conducts a vibrant, sensuous performance of Strauss's lurid opera. Behrens as Salome may lack the cruel edge of Birgit Nilsson's performance on London. But Behrens' pure voice contrasts chillingly with Salome's lust, while Van Dam's ringing Jochanaan is a saintly counterpoint in a savage world...
Mozart: Mitridate, Re di Ponto (Sopranos Arleen Augér, Ileana Cotrubas and Edith Gruberova, Mezzo Agnes Baltsa, Tenor Werner Hollweg, Mozarteum Orchestra, Salzburg, Leopold Hager, conductor; Deutsche Grammophon; 4 LPs); La Clemenza di Tito (Mezzos Janet Baker and Yvonne Minton, Tenor Stuart Burrows, Chorus and Orchestra of the Royal Opera House, Covent Garden, Colin Davis, conductor; Philips; 3 LPs). Mozart composed Mitridate when he was only 14; La Clemenza came just before he died at 35. Both works are all but forgotten. They are opera seria, the early style of Italian opera that can present obstacles for the modern...
| 1 |