Word: balzac
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Dates: during 1930-1939
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...that sends her more than 500 letters daily. Wives with husband trouble will read that they must be patient. Husbands in woman scrapes will read that they must not cheat. But fluttery, did-I-do-wrong girls will be happy to learn Author Dix's basic philosophy, that Balzac long ago stated more picturesquely: "No matter how black the pot may be, it can always find a lid." A young girl's fancies, suggests Author Dix, should be pretty well taken up with locating that...
Favorite subjects of research are Shakespeare (102 studies), Milton (46), Chaucer (44), Balzac (40), Goethe (39) and Spenser (33). U. S. writers in whom scholars are most interested are Whitman (16), Melville, Emerson and Poe (14 each). Compiler Osborn found many duplications, e.g.: Two scholars, at Southern Methodist and Ohio State Universities, are compiling bibliographies of Poet Archibald MacLeish's works...
Since Don Juan, however sinful, is most attractive character, many an author has used the legend. There are variants by Molière, Shadwell, Mozart, Mérimée Dumas père, Byron, Balzac, Shaw. Not overanxious to compete with such a talented gallery, yet fascinated by the violent Don, Sylvia Townsend Warner decided to take the matter up where the others had left off-with Don Juan's damnation. And so she wrote After the Death of Don Juan (Viking...
House of All Nations brings up to date the theme of Balzac's La Comedie Humaine. Our epoch, said Balzac, is one in which "money is the lawgiver, socially and .politically," when, for money, "people fight and?devour one another like spiders in a pot." Running to 795 pages, told in 104 cinematic scenes, House of All Nations takes for its pot the luxurious Paris private bank of Bertillon & Cie., described by its head, elegant, cynical, lucky, grandly deluded Jules Bertillon, as "a rich man's club: a gambling, deposit and tax-evasion bank ... a society dump" doing...
...copies of a two-volume novel translated from the French, forbiddingly titled The Thibaults. Its little-known writer was Roger Martin du Gard. The imposing boxed edition was made to look even less exciting by quotations from reviews that compared the book vaguely to the works of Balzac, Romain Rolland and Marcel Proust. Martin du Gard, said the New York Herald Tribune loftily, "reconciles at once the fastidious preciosity of Proust and Rolland's passionate evangelism with the traditional body of art." In a year when best sellers included Sorrell and Son, Gentlemen Prefer Blondes, Beau Geste, Martin...