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Word: banalized (lookup in dictionary) (lookup stats)
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...Russell doesn't know his life has influenced Madigan's, and the film ends ambiguously with no one either innocent or guilty, no one understanding himself or his effect. The small troubles that pervade the film become more tragic in retrospect: Madigan's domestic squabbles are at first banal, finally significant because Madigan dies before they can be resolved in such manner as usually satisfies audiences; his wife's final lament for her dead husband rings hollow because we have only seen her nagging him and his death locks her in the role forever in our minds. Siegel refuses...

Author: By Tim Hunter, | Title: A Dandy In Aspic, Madigan, and The Champagne Murders | 5/24/1968 | See Source »

...paying homage to the world, preserving it, transfiguring it, declaring it all worth saving. One can quote at random from his novel, for every page has gems of observation, rhythmic and charming passages of prose. Only the transcribed stream-of-consciousness of Piet is ever dull or banal...

Author: By Jay Cantor, | Title: Couples | 5/8/1968 | See Source »

...with his own second-rateness. Alone of the women, Foxy seems unafraid of what Freddy calls "the smell and hurt of love"; seven years of childless boredom with Ken have made her vulnerable. Now, though she is pregnant, she and Piet Hanema fall in love, an old-fashioned and banal assertion of life that brings down on them and the tribe the old-fashioned and banal tribulations of middle-class guilt, entrapment and helplessness...

Author: /time Magazine | Title: Authors: View from the Catacombs | 4/26/1968 | See Source »

...couple in love becomes the most exclusive club in the world. He registers the fierce chemistry of passion by which the Other Woman swiftly becomes the Only Woman. Where Wesker is strongest he is also weakest, since the language of love is finite and, in his prosaic words, even banal...

Author: /time Magazine | Title: New Plays: The Four Seasons | 3/22/1968 | See Source »

Forever Sound. Throughout its survey, "British Masterpieces" blends together paintings with intellectual pretensions and popular successes. One of the surprises is that many of the once admired esthetes look downright banal today, while several of the philistines positively shine. William Powell Frith (1819-1909) had nothing but contempt for "the crazes in art," preferred to depict "the infinite variety of everyday life." His Derby Day (center color pages) drew such huge crowds to the Royal Academy in 1858 that it had to be protected by a guard rail...

Author: /time Magazine | Title: Art: A Century of Exception | 1/19/1968 | See Source »

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