Word: banally
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ABOUT SCHMIDT. About Schmidt, in a bizarrely somber, comedic fashion, is possibly the most depressing film of Jack Nicholson’s long career. His performance as a retired insurance executive is a deeply complex and hilariously tragic portrayal of the most banal aspects of one man’s post-mid-life crisis. Director Alexander Payne, famous for his digressions on suburban angst in films such as Election and Citizen Ruth, keeps the tone light and the characters archetypally and deliciously bizarre. About Schmidt screens...
ABOUT SCHMIDT. About Schmidt, in a bizarrely somber, comedic fashion, is possibly the most depressing film of Jack Nicholson’s long career. His performance as a retired insurance executive is a deeply complex and hilariously tragic portrayal of the most banal aspects of one man’s post-mid-life crisis. Director Alexander Payne, famous for his digressions on suburban angst in films such as Election and Citizen Ruth, keeps the tone light and the characters archetypally and delicously bizarre. About Schmidt screens...
ABOUT SCHMIDT. About Schmidt, in a bizarrely somber, comedic fashion, is possibly the most depressing film of Jack Nicholson’s long career. His performance as a retired insurance executive is a deeply complex and hilariously tragic portrayal of the most banal aspects of one man’s post-mid-life crisis. Director Alexander Payne, famous for his digressions on suburban angst in films such as Election and Citizen Ruth, keeps the tone light and the characters archetypally and delicously bizarre. About Schmidt screens...
...least his concession to the incapacity of architectural addition. The most powerful part of his design is that in which he has done nothing. In the pit, there are few flourishes. There is only Libeskind’s realization that the solemn ruins of death are made banal by calling attention to their architecture...
...with a few twists on the familiar story. In this production of “La Cenerentola,” there are no pumpkin stagecoaches, no fairy godmothers and no omnipotent wands. But the DHO cast and crew work more than enough of their own magic to transmogrify the banal into the beautiful. Both Prince and Cinderella find love and beauty in the unlikeliest of places, and so do we. —Tiffany I. Hsieh