Word: bancroft
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
Mamma Was Boss. So much of Anne Bancroft seems never to have left home that one friend still describes her as "a Girl Scout of The Bronx, leading Brownies through Palisades Park." Anne likes to disagree. "I get so tired of saying I was born in The Bronx," says she. But the continuing search for herself keeps taking her back to the series of low-rent apartments in the neighborhood of St. Peter's Avenue. "We were a typical Italian family," says Anne, "very lower middle class." Mamma was the boss. It was Mamma, working as a telephone operator...
...last, Anna Maria Louise Italiano chose the Hollywood name, Anne Bancroft, from a list handed out by Darryl Zanuck; it was the only name, she thought, that "did not sound like I should look like Lana Turner." Hollywood historians remember her first movie, Don't Bother to Knock, chiefly because it was the first big role for a future star named Marilyn Monroe. Anne Bancroft was just an added starter...
...turns 13 this week-notwithstanding the pressagentry that kept her ten years old for three years-Patty backstage is still often the grade-school child, an inveterate lap sitter. Onstage she is a polished professional who can think on her feet. Once, when a set door stuck and Anne Bancroft swore helplessly under her breath, Patty promptly began making her "noises," the grunts of the speechless, to cover Anne's indiscretion. When Anne finally whispered, "I'm going to shove you out the window," Patty made the drop and managed to make her way to her stage mother...
Bronx to Broadway. The approaching maturity which Patty-and her agent-would dearly love to delay, is exactly what her backstage friend Anne Bancroft has been hunting down for years. At 28, Anne has progressed from The Bronx to Broadway, where the people she portrays still seem more meaningful and manageable than Anne Bancroft herself...
...Miracle Worker. Remarkably acted by Anne Bancroft and Patty Duke, William Gibson's fairly makeshift story of Teacher Annie Sullivan's turbulent grappling with the deaf, blind, mute child, Helen Keller, most of the time emerges an unsentimental human document and memorable theater...