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Herbert Ross has come up with the best solution yet to this dilemma in his film The Turning Point. He avoids this undesirable trade-off by casting a competent actress who cannot pirouette her way out of a paper bag (Anne Bancroft) in one of the two lead roles--a middle-aged ballerina clearly in decline--and supporting her with two genuine ballet stars (Mikhail Baryshnikov and Leslie Browne) in significant if minor roles. Realism and a respect for the irreplaceable skills of a tested movie star blend nicely in Ross' polished parable about the world of ballet...

Author: NO WRITER ATTRIBUTED | Title: Of Roads Not Taken... | 1/11/1978 | See Source »

...Turning Point centers on the bittersweet relationship of Deedee Rodgers (Shirley MacLaine), a one-time aspiring ballerina who gave up the stage for a family, and Emma Jacklin (Bancroft), Deedee's former friend and rival who pursued a career in dance to rise to the top of her profession as the prima ballerina of the best ballet company in the States. They reunite after a long spell of separation when Emma's touring company hits Oklahoma City, where Deedee, the frustrated dancer, spends her middle-aged, middle-American existence raising her three kids and running a ballet school with...

Author: NO WRITER ATTRIBUTED | Title: Of Roads Not Taken... | 1/11/1978 | See Source »

...accordion principle. So many flash backs, so much research, such fragmentary and confusing changes of locale have been squeezed together that the show unfolds in minute pleats rather than full-bodied scenes. The only substantial character in the play is Golda, played with centripetal force by Anne Bancroft...

Author: /time Magazine | Title: Theater: Banked Fire | 11/28/1977 | See Source »

...inner fire that is one of Anne Bancroft's gifts in lighting up a stage is banked most of the evening, and all that relieves a kind of fatalistic pessimism is a flash of wry humor. "Requiescat in pace" seems more appropriate than "Shalom" for this show...

Author: /time Magazine | Title: Theater: Banked Fire | 11/28/1977 | See Source »

...Good as Bancroft is, it is not her performance alone that makes the picture work. Director Ross, a sometime choreographer, conveys the sweat "and hard work of dance, the sheer pain of the effort to appear effortless. Writer Laurents has a similar capacity for catching the pretenses and bitchiness of life in a dance company. These touches lie at the heart of the picture's appeal, grounding it in a reality that offsets its gee-whizness

Author: /time Magazine | Title: Cinema: Gotta Dance | 11/21/1977 | See Source »

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