Word: band
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Dates: during 1940-1949
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...from Jane Alley. From the place Louis and jazz were born, there was no direction to move but up. The music, at first a restless, syncopated blend of African dance rhythms, Negro blues, brass-band marches, and French Creole songs and dances, spent its raucous teens in brothels, cheap saloons and street parades. Armstrong came up from Jane Alley, a squalid, "back-o'-town" lane in what was then the toughest section of uptown Negro New Orleans. His parents were the nearly illiterate grandchildren of slaves, his father a worker in a turpentine factory, his mother a domestic. Never...
City Full of Jazz. At night, the hot, insistent rhythm came at him from every direction. In the daytime, there was jazz in the streets. Band members would pile into advertising wagons (with the trombonist on the tail gate for freedom of reach) and engage in music battles with other bands; the winner was chosen by acclamation and rode off with crowds following. At Negro funerals, the bands played to & from the cemetery-doleful spirituals on the way out, such frenzied affirmations as High Society and Oh, Didn't He Ramble! on the way back...
...downs, and on a Mardi Gras day just 30 years ago, Daisy threatened Satchmo with a razor as he stood at the corner of Liberty and Perdido Streets in full Zulu court regalia. Louis had had enough. He took a job playing with Fate Marable's band on the Mississippi River excursion boats Dixie Bell and Sidney. The pay was the unheard of (for Satchmo) sum of $55 a week. Says he: "I had so much money I just plain didn't know what to do with it." They played such old Storyville favorites as Sugar Foot Stomp...
...Musician Today." So far as the U.S. public was concerned in the '20s, there were a good many other ways of playing jazz. Paul Whiteman, with his 30-piece band and his smooth arrangements of Tin Pan Alley hit tunes and minor classics (The Song of India), was "King of Jazz," and his music and records were far better known than the small-band New Orleans variety. But after Louis arrived in Manhattan in 1924, and persuaded Fletcher Henderson to let him "open up" on his horn at Broadway's Roseland Ballroom one night, jazz musicians...
...addition the Band has tentative plans to play at the Pennsylvania and Yale basketball games and the Princeton and Yale hockey contests...