Word: band
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Dates: during 1990-1999
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Picking "the next Radiohead" may soon replace cricket as the British sport that no one else seems to understand. Muse, a trio of typically dour young lads, is the latest band unfortunate enough to be yoked with such lofty comparisons. After nearly sparking a religious revival among the British music press, Muse are hoping the success of Showbiz, their debut album, doesn't get held up in customs on the way to the States. But while Muse's mix of reedy vocals, simmering guitars and slinking keyboards burns with an intensity and focus that at least vaguely justifies the Radiohead...
Across at least six proper albums and numerous other releases, Stereolab has proven itself to be one of the major indie rock forces of the '90s. Originally written off as a left-leaning Neu! clone with lounge inclinations, the band has consistently managed to reinvent itself. Its latest, Cobra and Phases Group Play Voltage in the Milky Night, ranks with their best work, 1993's Transient Random-Noise Burst with Announcements. On this trip out, Chicago-based producers John McEntire and Jim O'Rourke provide Stereolab with a rich, layered sound, leaving behind the cold Cologne sound...
Beneath the pop trappings, Stereolab remains Stereolab. The band's Marxist ideology (with a strongly feminist bent) still reveals itself in Sadier's lyrics. The poppy sounds offset the lyrics nicely: it's Marxism to fall in love...
What you missed: disco-folk fusion, sweet trombone playing, a funked-out "In the Mood" and good Irish beer. The Humming rocked The Burren, a traditional pub in Davis Square, last Thursday night, outgrooving the Irish band in the next room and sending fans crowding into the street for an acappella encore of "Happy Trails." If this band's name doesn't sound familiar to you now, it will be in the very near future. Playing over 80 shows a year and expecting to put out their own album this spring, The Humming is poised to hit the big time...
Self-described American disco-folk, The Humming is also jazz-influenced, with a twist of reggae. This versatile and harmonious band has taken American rock-and-roll where it should be, away from whiny bands to musicianship and joy. Each band member is a real artist in his own right, and together Ian Steams, Reggie Martell, Ty Gibbons '00 and Frisbay create a unique sound. It is hard to succinctly describe a song set that included jazz breakdowns, a slide didgeridoo, the drummer on vocals and a jig. Some lounge, some first wave ska and some B.B. King slipped through...