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...This year's event takes place Oct. 15-18 on Lake Malawi's southern shores, at Nkopola Lodge in Mangochi, a three-hour drive from Lilongwe, the capital. Headlining are English indie band the Maccabees, while other acts on the roster include DJ Nihal, hip-hop artist Sway DaSafo and Malawi's home-grown reggae band, the Black Missionaries. A detachment from the U.K.'s National Young Volunteers Service - a personal-development and service organization for young people - keeps things running smoothly over the course of the event. (See Time.com/Travel for city guides, stories and advice...
...program; Harry Belafonte, Julie Christie, Jane Fonda and Viggo Mortensen were all for a boycott. Politics aside (which it never is at a film festival), the protesters ignored Israel's recent emergence as a vital national cinema - and that many of the country's prize-winning films, from The Band's Visit to Waltz with Bashir, take a complex humanist approach to Arab-Israeli relations. That is certainly the case with Samuel Maoz's Lebanon, which won the top prize at the Venice Film Festival and was one of Toronto's unarguable hits. (See TIME's Photos: Waltz With Bashir...
...educated." K.K. plans to grow Tiny Toones even more, hoping to open a school for at-risk children by 2011. "A real, decent school that doesn't charge. One with a cafeteria that serves breakfast and lunch, like when I was kid," he said. (Read about the Cambodian-American band Dengue Fever...
HEALTH can be identified as part of a growing contingent of indie rock bands that channel noise-rock and new wave influences into a revivalist genre often described as “Nu Gaze.” Nu Gaze acts are prone to two common pitfalls: they can be little more than cheap imitations of their legendary forebears, and they can fail to augment their aural attack with subtlety. HEALTH, to their credit, have avoided the path of mere derivation. As with their fellow L.A. scenesters No Age, one of the few bands to successfully grapple with Nu Gaze...
...have two bands with the same members in them. We had too many people in the Bad Seeds. I kept trying to make songs that were leaner, had less going on in them. But it was difficult, there was a whole bunch of people in the studio and everyone had some idea of what they wanted to do. The Lyre of Orpheus record was this massive juggernaut of sound because we had eight people playing each song. I wanted something rawer and leaner so I got a few members of the band together and we did this record, Grinderman, which...