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Word: bande (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Wild Man Blues follows Woody Allen and his seven-member jazz band along their 1996 springtime tour of Europe. If that synopsis sounds like material for a three-minute "Entertainment Tonight" profile, then kudos go out immediately to Kopple, who knows that Allen's career as a jazzman is not a fluff-level footnote to his more obvious engagement in the cinema. Her feature-length documentary has already been faulted by some viewers at Sundance for downplaying Woody-as-Filmmaker, a criticism that misses Wild Man Blues's whole point: Woody Allen considers himself a developing musician who's lucky...

Author: By Nicholas K. Davis, CRIMSON STAFF WRITER | Title: New Orleans Jazz Musician Hits Big, Also Directs Several Films | 5/15/1998 | See Source »

...jacket of hipness was passed down from Natty Bumppo to James Dean to Leonardo DiCaprio. Bill Clinton lived this duality. He was not exactly a heartbreaker at Hot Springs High. He was a burly 6-ft. 2-in. kid who played not on the football team but in the band at half time. Even though he ran for virtually every class office (not generally a sign of hipness), he emulated Elvis Presley, the king of bad-boy coolness, and drove around in a pickup truck with AstroTurf in the back to cushion his real or imagined assignations...

Author: /time Magazine | Title: The Real American Dilemma | 5/11/1998 | See Source »

Amos' latest CD, From the Choirgirl Hotel, is the best and boldest of her career. Her previous CDs were often irritatingly ethereal; on Choirgirl, a full band underscores her piano, giving her music new urgency. Now, instead of being a spectator for Amos' passion, you are swept up in the force and energy of the music. "I had explored the girl-at-the-piano thing," she says. "It was time for new territory." Amos has long had some of the most fervid fans in rock--the numerous websites devoted to her portray her less as a rock star than...

Author: /time Magazine | Title: Music: Tori, Tori, Tori! | 5/11/1998 | See Source »

Drag performances, from the late Charles Ludlum to Lypsinka, have a long, honored tradition in Manhattan's downtown theater scene. But this is a wig of a different color. John Cameron Mitchell, who wrote the show and does a smashing turn (accompanied by a grungy back-up band) as the fictional Hedwig, avoids high camp, low sex jokes and Judy Garland impressions. True, Hedwig's stage patter has its share of double entendres ("I do love a warm hand on my entrance"), but the literate script is also a poignant meditation on loneliness, gender confusion and the Platonic notion that...

Author: /time Magazine | Title: Theater: Anatomy of a Drag Queen | 5/11/1998 | See Source »

...Party Girl), had wanted to do a rock musical ever since being "annoyed" by Broadway's Tommy. "Rock on stage is always submerged, diluted," he says. "I wanted to do something that was truly rock 'n' roll and truly theater." He teamed up with Trask, the leader of a band called Cheater, and the two developed the show in a series of downtown club gigs. Mitchell even passed up a role in Rent (as the drag queen Angel) to keep at it. After searching in vain for a theater, the show landed in a renovated ballroom at the Hotel Riverview...

Author: /time Magazine | Title: Theater: Anatomy of a Drag Queen | 5/11/1998 | See Source »

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