Word: bande
(lookup in dictionary)
(lookup stats)
Dates: during 1990-1999
Sort By: most recent first
(reverse)
...album loses steam with the next two tracks. The songs inspires the interpretation that Weiland and the rest of the band, after discovering they can still play, do not know what to do with this discovery. "Heaven and Hot Rod" sounds like a weaker track off of thrash-heavy Core, while "Pruno," with its misplaced melancholy overlaying an excessively melodic and syncopated bass line, is reminiscent of a bad Sting song...
...favorites such as Purple's "Vasoline" and "Pretty Penny", with the framing of Weiland's somber vocals around Dean Deleo's masterful lead guitar. The album, after "Church on Tuesday," becomes the record that a well-versed STP was waiting for. "Sour Girl" is another almost-ballad, revealing the band's ability to mix pop melodies with a dark and gloomy bass line. The band is still capable of experimentation, especially on the track "No Way Out," but one wishes that STP had been riskier with distortion and electrical manipulation on No. 4. Weiland clearly has the ability...
...However, the album does not leave one feeling cheated. A song less typical of STP's musical range, "Atlanta," rewards the patient listener. "Atlanta" weaves Weiland's vocals with beautiful accompaniment. The sound of the words in harmony with the rest of the band creates a pleasant, self-reflective surprise. One can only hope that more songs like "Atlanta" come out of the studio...
...No.4 does more than mollify a deprived STP fan. While some songs are overly indulgent of the past, listeners will be pleased to hear good late '90s Alternative-grunge from a band that contributed to the early '90s movement. This album is not STP's best, but it is self-reflective and diverse enough to maintain band loyalty, grace the airwaves, and please old fans...
...this tour, Tricky was joined by a live band who did a surprisingly astute job of recreating the menacing environment of his recordings. They mixed genres seamlessly, performing ambient dub, driving jungle and straight-ahead rock with equal aplomb. While pre-recorded sounds were used, they were kept to a minimum. The sound was very tight but very flexible: four-minute tracks became ten-minute jams, with Tricky repeating phrases with mantra-like intensity. This vastly improved his music: in his studio work, Tricky compresses ideas into his songs, but the live venue allowed his songs to stretch out, achieving...