Word: bande
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Dates: during 1990-1999
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Audacious musicians are the best. They've been all over the map with their talents and tastes, they've been a part of power-pop band The Semantics, they've toured with Shania Twain, Pat McGee, Amy Grant and Janis Joplin to get a foothold in the music industry, they've jammed with Ben Folds for fun. And then they retire to their living rooms in Alabama to craft their solo pilot over four meticulous years, which they subsequently drop off at the major labels with a rakish take-it-or-leave-it attitude until Giant Records snaps...
...Folds Five have come of age. Their moody new release is a conceptual drift through the experience of their titular hero, a disconnected observer who feels more than he lets on. And in the delicate construction here, the band proves the same is true of itself. Messner aches with lush compositions that expand both BFF's sound (string arrangements accompany their trademark piano/bass/drum combination) and their identity. Sure, "punk rock for sissies" was a fun label for their often-silly post-kitsch nods to pissed-off ex-boyfriends and love-struck goofballs, but it hardly accommodates the stylish, lingering sway...
When Martsch announced he had finished Built to Spill's sophomore album, everyone expected the long, languished and sometime lost guitar heroics that had dominated the first release. Once again, more hype for the band to prove wrong. With There's Nothing Wrong with Love, Martsch set his sights at pure pop bliss captured in the moments of everyday life...
...moral of the Built to Spill story? There is none. At least not one I can tell you. Live, the band veers from one violently brilliant extreme to another. Some shows tumble into unbelievable 30-minute long jams on b-sides of singles released five years ago. Others are made up of drop-dead perfect sonic recreations of the album, filled out with the intensity of Martsch flailing at his guitar before your eyes. Then again, Martsch has probably completely rewritten the Built to Spill playbook by now, just to keep us critics on our toes. The only...
...When Martsch announced he had finished Built to Spill's sophomore album, everyone expected the long, languished and sometime lost guitar heroics that had dominated the first release. Once again, more hype for the band to prove wrong. With There's Nothing Wrong with Love, Martsch set his sights at pure pop bliss captured in the moments of everyday life...