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...Striking me rather like what Paul Klee might have created, had he been commissioned to make a music video, the imagery is at once bright and maudlin, working with a juxtaposition Death Cab knows all too well; the contrast between Gibbard’s often sorrowful lyrics and the bands poppy swing is a common theme, if not a steadfast rule, and stands out more than ever on “Crooked Teeth.”The video is devastatingly pretty, exuding effort from every scene, and well worth the wait, no matter how long you have to listen...

Author: By Elisabeth J. Bloomberg, Patrick R. Chesnut, and Henry M. Cowles, CRIMSON STAFF WRITERSS | Title: Pop Screen | 2/15/2006 | See Source »

...returns to his college town—only this time he’ll be playing across the Charles in Cambridge’s Regattabar Jazz Club. After leaving school, Rosenwinkel toured internationally with famed vibraphonist Gary Burton. He later joined Paul Motian’s Electric Bebop Band, where he flourished throughout the early 90s. Since then, Rosenwinkel has established himself as an original sound—not such an easy thing to do in a jazz scene crammed with guitarists and appraised by critics who claim that Pat Metheny and John Scofield have already closed the book...

Author: By Jake G. Cohen, CONTRIBUTING WRITER | Title: On the Radar | 2/15/2006 | See Source »

...attention and controlling people.” As for himself, he says, “I wouldn’t mind being a washed up popstar, working behind the camera, controlling the next generation of the music industry.” Up next for Shields is a Making The Band-esque reality show called Fourplay in which he will weed out hopeful Harvard auditioners seeking to join him in a dance pop “Abba-style” band. “Harvard needs a little more bubblegum-pop fun,” he says. Shields says his celebrity...

Author: By Shannon E. Flynn, CONTRIBUTING WRITER | Title: Pop Star in the Yard | 2/15/2006 | See Source »

...music, nothing can kill a band's image faster than trying too hard. Fortunately Young and Sexy has avoided that fate: The five-piece band from Vancouver already knows exactly what it does best. Its third full-length release, Panic When You Find It, is a technically superb, 60s-influenced pop-rock album--and doesn't pretend to be more. There is no overarching theme in the often dark lyrics that songwriter Paul Hixon Pittman says he "usually think[s] about a year later," long after he's written them. Pittman's favorite song on the disc, 5/4, was named...

Author: /time Magazine | Title: TIME Canada Arts: Pick of the Week | 2/15/2006 | See Source »

...fact, the real triumph of Panic is that the band never lets its technical mastery get in the way of the album's prettiness. The adept rhythm section keeps things mostly understated. The instrumentation gives the album a full sound, but not one that's over the top. And, perhaps most important of all, Young and Sexy don't drag out a song longer than two minutes if it's not necessary. The result is an album that sounds unified and pleasant, but that you could still offer to your piano teacher as proof that not all pop musicians...

Author: /time Magazine | Title: TIME Canada Arts: Pick of the Week | 2/15/2006 | See Source »

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