Word: bandness
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...Road to Closure, Volume 12.” One of Tris’s best friends, Norah (Kat Dennings), has fallen in love with Nick’s mix CDs, despite never having met their maker. While attending a show by Nick’s band, The Jerk Offs, Norah, feeling lonely, grabs the nearest guy and tells Tris it’s her boyfriend (even though, as we later discover, she already has one). As chance would have it, that guy is Nick, and their relationship springs from there as they attempt to track down the secret show...
...bright multicolored lighting, the stuffed gorilla holding a baseball bat—but I know there’s something evil going on here. Just look at drummer Greg Saunier’s devilish eyes as he viciously hits his cymbal in a downward stabbing motion, or how the band seems to revere the stuffed gorilla that eventually takes down one of the weaker band members. Perhaps this strange creature is the brains behind their apocalyptic plot. As tension rises, the camera is turned away from the video set to show five seated, disinterested people. Who are these new faces...
...less frequently with the word “cocaine” since she started seeing Ronson. Between Perry’s playful experimentation, California’s flamboyant joy, and Lohan’s newfound stability, lesbianism was suddenly the wholesome choice. It was out in the open, the Band-Aid that would hide, if not heal, the pain of a bruising couple of months...
It’s finally official: TV on the Radio is no longer the hipster’s best-kept secret. After the critical acclaim of their second studio release, “Return to Cookie Mountain,” the band manages to live up to the hype on its follow-up, “Dear Science,” a work that is—surprisingly—a refreshing blend of experimental sounds and catchy hooks that don’t detract from the album’s overall artsy flair...
...slight change can just barely be detected. Now, the band appears to be content catering to a larger, potentially more-discerning audience. Though the notion of creating popular music may be the bane of some artists’ careers, TV on the Radio finds nothing wrong with bridging the gap between the masses and the critics...