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Word: bandness (lookup in dictionary) (lookup stats)
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With a killer combo of drums, vocals, keyboard, guitar, and an undeniable bass, Interpol’s sound is an ironic medley of grim beauty. This “post-punk” band used a wide range of pitches and beats, a powerful bass line, vicious vocals, and periodic spurts of guitar cacophony to tempt its Boston audience...

Author: By Nicole E. Rosner, CONTRIBUTING WRITER | Title: Rock Doesn't Tear Interpol Apart | 3/18/2005 | See Source »

...eventually abandoned the stage, an awkwardly long encore followed. The audience became restless, screaming out their favorite songs yet to be played: “Obstacle 1!” and “Roland!” as random drum beats sporadically popped in the distance. Finally the band strolled on stage as if back from a coffee break...

Author: By Nicole E. Rosner, CONTRIBUTING WRITER | Title: Rock Doesn't Tear Interpol Apart | 3/18/2005 | See Source »

...told you in countless verbal settings, without the rational distance that writing grants, I’ll tell you again: Blur is ten times the band that Oasis is. You rank among Brit-philes of the highest order, but your ability to discern the better band between these two leads to doubt about the accuracy of your critical taste...

Author: By Drew C. Ashwood and Christopher A. Kukstis, CRIMSON STAFF WRITERS | Title: The Drawn-Out Battle of the '90s Brit-Pop Superstars | 3/18/2005 | See Source »

...difference between these bands’ ties to pop-culture history is fundamental to their difference as a band: whereas Oasis were plodding, incomprehensible lyrically but musically well-trained in writing hook-heavy guitar rock, Blur took a step back and refused to take on the high-mindedness that Oasis never quite seem able to convincingly pull...

Author: By Drew C. Ashwood and Christopher A. Kukstis, CRIMSON STAFF WRITERS | Title: The Drawn-Out Battle of the '90s Brit-Pop Superstars | 3/18/2005 | See Source »

...this creative context, the band sketches vivid musical portraits that aim to create a character and face of British rock. They prove themselves to be capable of anthem—the Parklife title track is a peerless statement of purpose, but manage to maintain a humor that gives more resilience to the weaker musical moments, whereas the minute an Oasis song isn’t a song as good as ”Don’t Look Back in Anger,” the high-mindedness and blatant subscription to guitar-rock cliché becomes brutally apparent...

Author: By Drew C. Ashwood and Christopher A. Kukstis, CRIMSON STAFF WRITERS | Title: The Drawn-Out Battle of the '90s Brit-Pop Superstars | 3/18/2005 | See Source »

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