Word: banjo
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Dates: during 1950-1959
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...problem. As one of them stated (with some symptoms of frustration): "Situated in the business district and open to the distractions of an apartment hotel, we run a dismal gauntlet-slamming doors, dripping faucets, a view of an alley, rattling trucks and an s.o.b. who dotes on playing the banjo. Once my attention was taken from a patient by the sight of a whisky bottle swinging on a string outside my office window." They wanted a new building custom-tailored to their needs...
Gottschallc: The Banjo (Eugene List, piano; Vanguard). A reminiscence of pre-Civil War New Orleans in the form of brief compositions by a onetime resident, Louis Moreau Gottschalk (1829-69). The first American to win an international reputation as pianist and composer, Gott-schalk's arrangements of Creole songs and dances were as popular in Paris of the mid-19th century as Chopin's mazurkas...
...have a quarter left for tomorrow." He did his own housework, including mending and pressing his tailor-made suits, always impeccably kept. Periodically, there was work for his five-man combo-Arthur Whetsel on trumpet, Otto Hardwick on bass and alto, Sonny Greer on drums and Elmer Snowden on banjo-but the real break came in 1927. "You know, I'm lucky," says Duke. "I'm lucky because I like pretty music-some people don't-and can write it down. And I was lucky when we auditioned for the Cotton Club job. Six other bands auditioned...
...from his opening measures, Jimmy Drake achieved his overnight success without the benefit of a musical education. What he has in abundance, however, is the ability to regard the world with the fractured gaze of a teenager. Reminiscing about his career, he recalls that his mother gave him a banjo when he was still a schoolboy in Los Angeles and remarked, "Here, go make something of yourself.'' But. says Jimmy sadly, "I just couldn't cut the mustard. So then my grandmother, she bought me a uke and said, 'Jimmy, try this thing...
...vaudeville conductor, Legrand was packed off to the Paris Conservatory at ten. There he studied to become a serious composer, took to accompanying and arranging for popular singers to help pay his way. As the demand for his arranging talents grew, he formed his own combo (tuba, banjo, drums and piano), which he expands to a full orchestra as the need arises. He scored his first big recording success in 1954, when Columbia commissioned him to arrange and do an orchestral recording of an album of schmalzy favorites to be issued under the title I Love Paris...