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Word: banjo (lookup in dictionary) (lookup stats)
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...European tour, which ends in London on March 18. In Madrid he needed a police escort to get in from the airport amid what El Mundo called Woodymania. In Barcelona more than 300 autograph seekers mobbed him at the stage entrance. "Woody's having a ball," says his banjo player and musical guru, Eddie Davis. "He's kind of stunned by the reaction. They're treating him like Elvis...

Author: /time Magazine | Title: MUSIC: TAKE THE MONEY AND PLAY | 3/18/1996 | See Source »

...that time, the Harvard-Yale game, only 20 years old, was the big event in an athletic season that dominated University and Cambridge attention. Football topped the four-column Crimson pages every day, along with SPORTS-related items like the formation of a "Varsity Banjo Club." Even happenings at varsity practices made the front page...

Author: By Amita M. Shukla, | Title: The H-Y Game: 120 Years Of Change | 11/18/1995 | See Source »

...Great Circle Route," featuring Hornsby on piano, is among the best on the album. The song begins with Hornsby passionately stamping out a piano riff reminiscent of a Chopin piano sonata, then smoothly incorporates a complex jazz rhythm, further layering melodic fiddle and dobro movements over Fleck's subtle banjo punctuations. The climax of the song occurs as Hornsby and Fleck swap licks and playfully try to out-do each other...

Author: By Jed D. Silverstein, | Title: Fleck Tells Extraordinary Banjo `Tales' | 5/10/1995 | See Source »

Another musical collaboration on the album, "Backwoods Galaxy," the eighth track, pairs Fleck's banjo with Chick Corea's piano and Branford Marsalis' tenor saxophone. The three musicians establish the song's complicated tone by first hammering out a funky, amorphous wall of sound. The banjo then sets up a background for the improvised doodlings of Marsalis' smooth horn and Corea's tight piano solos...

Author: By Jed D. Silverstein, | Title: Fleck Tells Extraordinary Banjo `Tales' | 5/10/1995 | See Source »

...track, "Arkansas Traveler," poignantly illustrates Fleck's impressive ability to integrate disparate musical instruments and styles. The song begins with Fleck picking a simple folk melody alone. After several bars, percussion and bass lines emerge, sounding like the rhythm section of an Oscar Peterson album. The interplay between the banjo's folk melody and the jazz rhythms established by the drums and acoustic bass is astoundingly coherent. The phrasing is completely jazz, but the sound remains folk...

Author: By Jed D. Silverstein, | Title: Fleck Tells Extraordinary Banjo `Tales' | 5/10/1995 | See Source »

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